After Vietnam, war wasn't cool anymore, so G.I. Joe became an astronaut. That sucked!
Flag-fest films like John Wayne's "The Green Berets" were dismissed as patriotic clap-trap (I, for one, loved it) and for a while nobody even MADE war films.
Francis Ford Coppola's "Apocalypse Now" was born from this void. Completely unconventional in every respect, this lurid masterpiece exposes the nightmare of war in a manner that re-invented the whole genre of the war movie: take acid and die.
#8 on The Best War Movies Eversee more on Apocalypse Now
Erich Maria Remarque was a German infantry soldier who served in the trenches of World War One.
In 1928 he published his memoirs, "Im Westen Nichts Neues." The book was an unflinching look into the lives of the common soldier, and a striking condemnation of war and its effects.
It struck a chord in a world still stunned by the carnage of Verdun, and sold over two million copies in its first year. Hitler was less than impressed, however, and the book was banned in Nazi Germany.
But that didn't stop director Lewis Millstone from making one of the best novel-to-movie adaptations ever.
The film is at once both deeply lyrical and savagely brutal, contrasting the banality of army life with the sudden punctuation of mindless violence so effectively that the film won the Academy Award for Best Picture.
Back then, that actually meant something.
#31 on The Best War Movies Ever
#453 on The Best Movies of All Timesee more on All Quiet on the Western Front
Maverick director Sam Peckinpah, who ushered in a whole new era of movie-making with 1969's "The Wild Bunch," is at his slow-motion, blood-spattering best in this deep study of a group of German soldiers struggling to survive on the Russian Front during the closing phases of World War Two.
Yugoslavian National Guard T-34 tanks and a painstakingly attention to detail contribute to the absolutely authentic look and feel of this film, and amazing performances from a stellar cast (including James Coburn, David Warner, and especially Maximilian Schell) make this long over-looked film absolutely top-rate.
#89 on The Best War Movies Ever
#1977 on The Best Movies of All Time
#405 on The Best '70s Moviessee more on Cross of Iron
(Also known as "The Bridge")
A little known German film made in 1959 in the lingering rubble of the Reich.
Based on a true story, in the closing days of the war a small group of boys are sent to defend an out-of-the-way bridge to keep them out of the fighting -- but of course this is where the Americans end up attacking.
One-by-one the kids get wasted in a variety of nasty ways, and the old guy that tries to save the kids has his face melted off by a Panzerschreck (a.k.a. a sick German rocket-launcher inspired by the American Bazooka).
By the end of the film, the sole survivor is fighting his own side to stop the demolition of the bridge. A painful movie about the absurdity of war and the pointless sacrifices it demands.
#197 on The Best War Movies Eversee more on The Bridge
How can you go wrong with Clint Eastwood and Telly Savalas on the trail of Nazi gold in the closing days of World War Two? Throw in some great mock-up Tiger tanks, Donald Sutherland as the proto-hippie tank commander "Oddball", and a sweaty Don Rickles lugging a 30 cal. all over the French countryside, and you have the most hilarious war movie ever made.
But for all the yucks, director Brian Hutton (who also worked with Eastwood in "Where Eagles Dare") doesn't let up on the violence -- which is both graphic and plentiful.
The film also features German actor Karl-Otto Alberty as the SS tank commander. His lantern jaw, baby-white blond hair, and potato-pancake face make him the perfect Nazi.
In fact, Alberty plays one in just about every WW2 movie made around this time.
#54 on The Best War Movies Ever
#32 on The Best Movies of 1970
#97 on The Best PG Comediessee more on Kelly's Heroes
In 1938, visionary Russian director Sergei Eisenstein ("The Battleship Potemkin") returned to the screen with this epic film about the 13th century invasion of Novgorod by the Teutonic Knights of the Holy Roman Empire.
The film is a symbol of Russian defiance in the face of the oncoming war with Germany, and a stark condemnation of the Catholic church.
At one point, bishops clad in swastika-decorated robes hand-off Russian babies to the beast-like knights, who cast the unfortunate infants into a great fire.
The film climaxes with a 30-minute long sequence depicting the battle of Lake Piepus, which was fought on the lake's frozen surface.
Scores of stuntmen were killed or injured filming the scene, as the producers discovered the hard way that the wooden weapons they had given to their cast worked almost as well as the metal ones they were emanating.
#156 on The Best War Movies Ever
#38 on The Best Medieval Movies
#10 on The Best '30s War Moviessee more on Alexander Nevsky
Director Ralph Bakshi's animated film tells the story of a f*ture world, existing long after mankind's nuclear self-destruction, where elves and fairies live in peace... I know, BARF.
BUT, things get interesting when the hordes of Blackwulf, the evil mutant sorcerer from the land of Scorch, vomit forth upon the world.
It seems that Blackwulf has finally found the perfect motivational tool needed to inspire his troops -- a stack of Nazi propaganda films starring everybody's favorite frustrated artist.
I first saw this movie at the age of 14 and went to go see it at least 20 times.
Soon after this Bakshi landed "The Lord of the Rings", mostly due to his brilliant work on "Wizards", and proceeded to f**k it up so bad that they never even finished it.
#207 on The Best War Movies Ever
#523 on The Best Animated Films Eversee more on Wizards
Oliver Stone's masterpiece about war and betrayal followed in the wake of "Apocalypse Now", and he cleverly side-stepped any potential comparison or criticism by making a completely different type of film--one where he lets the events and characters speak for themselves.
In doing so Stone created completely believable characters... just to have them mangled in some of the most riveting and realistic combat scenes ever filmed.
This is such a deeply effecting film that after such a great performance from Charlie Sheen it's hard to believe he turned out to be such a douche bag.
#7 on The Best War Movies Ever
#19 on The Best '80s Action Movies
#24 on The Best Johnny Depp Moviessee more on Platoon