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- 1His proclivities and perversions notwithstanding, the man has made some of the best psychological thrillers, mysteries and even comedies of any filmmaker alive. I can think of no one else whose films reflect such a deeply nuanced comprehension of paranoia and claustrophobia, whose work resonates with such an immediate understanding of the mechanics of human fear. His Repulsion ranks as one of the most viscerally unsettling movies I have ever seen, and it features almost no dialogue, only one central performance, and not even a whole lot of actual incident or action.
- 2There are so many superior thrillers with his name attached, it's near-impossible to even name them all without IMDB handy. There's so much to say about Hitch's genius, I could write 100 blog posts, but what I've always appreciated about his sensibility best is his playfulness. He was making movies about murder, spycraft, intrigue and betrayal, and yet all of his films find ways to work in humor and a sense of fun, letting you know that there was someone behind the scenes having a terrible amount of fun.
- 3There's just some aspect of human life that is only explored in horror films like those of David Cronenberg - the odd collision of biology and psychology, of brain and flesh, and a sort of universal existential paranoia often referred to as "body horror." Cronenberg films pit protagonists not against some external enemy, but against their own bodies and minds. The enemy is within ourselves, which in many ways is scarier than any sort of black lagoon creature or invisible man. Plus, the man is just a natural filmmaker whose movies are trippy, genuinely frightening, full of tremendous effects work and visual imagination, and even eerily beuatiful in spots.
- 5George Romero invented the modern zombie movie, and for that we all owe him a massive debt of gratitude. But what's truly special about Romero films aren't just the fantastic gore effects, the Savini-style blood-soaked shots of flesh being chewed off of neck bones that have become so famous. It's his sardonic wit, the fact that his zombie and horror films are actually incredibly astute, subversive satires delivered in the most ridiculously fun format possible.
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