Queen Victoria, despite the fact that she was quite tiny, looms large over most of the 19th century. She was every bit a woman of her time, engaging in the overblown sentimentality and culture of death so pervasive during the age that bears her name. When she died at 81, she left secret, detailed instructions on how to handle her body and what items to place in her coffin. There are indeed, a number of strange Queen Victoria death facts worth exploring.
Victorians had something of an obsession with death and death rituals. One reason for this had to do with the fact that people of the era literally lived much closer to death than most people do today. For example, aspects of the Industrial Revolution shortened life expectancy, even in an age when 40 was considered old. Bodies were cleaned and prepared for burial by family members, and the corpses were put in the parlor for viewing. Death and all that came with it hovered far more closely to the living than it does today.
Friends and loved ones created jewelry made from the hair of the deceased; furniture and doorways were draped in black crepe; and even photos were taken of the dead, dressed and seated in chairs with other family members, as though they were still alive. Or families would gather for photos - all dressed in black - around a portrait of the dearly departed, sorrowful looks on every face.
This was also the age of Romanticism, an artistic, literary, and cultural tradition that focused on both the natural and unnatural world. Some Victorians expressed a strong interest in the paranormal, the spectral, and otherworldly. Sentimentality and emotion also held sway during the 19th century. It's no wonder, really, that Queen Victoria's death wishes were anything but simple.
Victoria Left 12 Full Pages Of Secret Instructions For Burial
At the time of her death, Queen Victoria was Britain's longest-reigning monarch. She'd lived a life full of responsibilities, loves, and intrigues. Some of the latter did not meet with her family's approval; indeed, her nine children were often in vehement opposition to some of the ways Victoria lived her life and resentful of those with whom she was closest.
So when it came time for the Queen to make her final arrangements, she knew her wishes would require an element of secrecy in order that they be observed. Chief among those carefully kept secrets were the weird things Queen Victoria wanted to be buried with. Luckily, those detailed instructions still exist, so the Queen's zany requests didn't get interred with her. However, for a long time, very few people were aware that Victoria's secret instructions survived. At the end of her life, Victoria summoned her secretary (who was also her chief lady-in-waiting) and dictated 12 pages of specific instructions regarding her funeral and burial. The lady-in-waiting hand delivered the instructions to the Queen's personal physician, Sir James Reid. According to author Tony Rennell, a Reid family descendant wrote a book on the doctor and his famous patient, but the contents of the secret instructions were forbidden by the Royal College censors.
When Rennell, who was also writing a book on Victoria's final years, was invited by the Reid family to research their archives, he came across the hidden instructions written just before the old Queen's death. He was able to successfully publish his research and - for the first time - Victoria's final wishes came to light. And so it was her doctor who followed through with all her wishes. He was the lone person who was there to know how Queen Victoria died. He nursed her day and night during her final days, and it was his name she spoke as she expired. And he followed through with each of her requests, however bizarre.
A Plaster Cast Of Prince Albert's Hand Was High On The List
One of the first strange items on Victoria's list of burial instructions was a plaster cast of Prince Albert's hand, which was made shortly after his death. When Albert died unexpectedly at age 42, Victoria was utterly devastated. She embarked on her own personal cult of death and worship of her departed husband.
For decades, she remained out of public view, wore black until her death, and forced her children to pose in innumerable photos with their father's sculpted bust, draped in black crepe, of course. She even had them pose that way at their own weddings. Her approach to his loss was an enormous influence for and inspiration to grieving people across the western world during the age that still bears her name.
But there was more. For years, she had Albert's former servants attend to his morning rituals. Servants brought hot water, his shaving brush and cup, and towels to his room every morning. His valet also continued to bring in the suit he would wear that day. At the end of the day, the servants would return and remove the items, only to repeat the same the next day. And the next.
Victoria kept her bedroom draped in black and decorated throughout with Albert's visage in photos and portraits. She slept nightly with the plaster cast of his hand.
A Totally White Funeral - Complete With A Wedding Veil - Was A Must
In a macabre, twisted mixture of death and youth culture, Queen Victoria's secret instructions demanded her entire funeral - from horses, to mourning attire, to funeral crepe - be arrayed in white. She also insisted that she be buried wearing her white bridal veil. Worn at her wedding to Prince Albert in February of 1840, the young monarch broke with tradition and wore an entirely white bridal ensemble.
It was Victoria who started the tradition of a white wedding gown. Her choice came partly from wanting to stress her interest in economy and partly as a symbol of purity. Both she and Albert were virgins on their wedding night. Today, Victoria has a reputation for prudishness; however, this was definitely not the case. She prioritized her physical relationship with her husband over her duties as monarch and as mother.
Albert was apparently even somewhat overwhelmed by her enthusiasm and was known to lock her out of the bedroom for a break. Victoria would have none of that, and she literally banged on the door and shouted "Let me in! I am the queen!" until he opened it. When her physician advised her that her ninth pregnancy should be her last, she retorted, "What? Am I to have no more fun in bed?"
At the end, perhaps she returned to her virginal white bridal veil as a symbol of the happiest relationship of her life and of her hope that she would join Albert in heaven as his eternal bride. Certainly, in life, she remained attached to her veil and dress, and both she and Albert posed in their wedding attire, including Victoria's veil, years after their wedding
She Wanted Wedding Rings On Both Hands, For Her Husband And Her Lover
Here is where Victoria's instructions for what should be placed in her coffin become a little... complex. While it was known to her family that she asked to be buried wearing her wedding ring, what was known only to the Queen's secretary and physician was that she wanted to be buried wearing a second wedding ring on her left ring finger. This ring was given to her by a man other than her husband, a man she came to know very well after Albert's death. Victoria's relationship with Scottish Royal Groom and Servant, John Brown, was extremely controversial, particularly within the British royal family. She had sent for him during the early years of her widowhood, since she remembered that Prince Albert had spoken very highly of Brown.
The Queen and the Groom became close friends. He was the only person in Victoria's orbit who could get away with criticizing her and speaking to her in a familiar tone. For example, on occasions when he lifted her to a carriage and was adjusting her lap robe and hood, one might hear him loudly utter: "Lift yer head up, wooman!" to which Victoria would meekly respond. For more than a century, historians and royal curiosity seekers have puzzled over the strange relationship between monarch and servant. In recent years, historians have taken a more realistic, human approach.
Author Tony Rennell was the historian who at last brought to light the story of the second wedding ring, and more recently, historian A.N. Wilson persuasively argued that Victoria and Brown did indeed have a romantic relationship, but it was never consummated. According to Wilson, "they slept in the same bed, but just hugged on one another." Wilson also points to a deathbed confession of a Scottish minister who claimed he had secretly married the couple. Whatever their relationship or marital status, the Queen's children utterly despised Brown and were angry with their mother for the rest of her life, even long after Brown's death.
The length of their anger probably had a lot to do with Victoria's determination to carry on a death cult associated with Brown, as well as her late husband, Albert. So angry was Victoria's son and heir, King Edward VII, that once his mother was good and buried, he removed or had destroyed every monument and mention of John Brown at all royal properties. What the new King did not know was that his mother was laid to rest clutching her favorite photo and a lock of hair from her beloved John Brown - along with Brown's mother's wedding ring on her finger.
She Required Charcoal And As Much Jewelry As Possible
Was Queen Victoria a pack rat? Was she a supposedly typical "Victorian" in the collecting of knick knacks? Or, did she believe she could take sentimental items with her into the afterlife?
Perhaps the answer to all three questions is: Yes. Her coffin - custom-designed and enormous for such a small person - was nearly filled to the brim before her body was placed inside. A layer of charcoal was placed inside first at the very bottom. This was standard procedure during the days before modern embalming and was designed to keep down odors and wetness emanating from the deceased. Spread over this was one of Prince Albert's dressing gowns.
Among the contents of Queen Victoria's coffin were also sentimental mementos from loved ones and friends. These varied from shawls to books, bracelets to lockets, and photos to fresh flowers. Even Victoria herself was adorned with rings on every finger, bracelets on both wrists, lockets and pendants, one hand on Albert's plaster hand, the other clutching John Brown's photo and lock of hair. The crowning touch was her delicate white bridal veil.
A Sprig Of Heather Hidden Beneath Other Flowers Was Necessary
Queen Victoria was buried in a sea of sentimental souvenirs and amid a variety of flowers. Though she died in January of 1901, her family and funeral preparers were able to source floral bouquets and arrangements from greenhouses across the UK and other parts of Europe. Her daughter-in-law, for example, brought fresh hyacinths to the casket before it was sealed. Victoria's doctor and confidant, Sir James Reid, used the new Queen, Alexandra's, flowery gift as a means to obscure secret items held in Victoria's left hand.
Perhaps chief among the floral grave offerings was a request made by the old Queen herself,in her secret burial instructions. She asked that a sprig of heather be placed on her body as it was made ready for burial. The flowering heather is a Scottish symbol, and perhaps served as a remembrance of happy times with her family at Balmoral Castle, as well as of the adventurous, exciting times she shared with servant and companion, John Brown.
A Special Memento Of Her Dead Daughter Was A Finishing Touch
Perhaps one of the most touching items placed in Queen Victoria's coffin was a heavy, ornately-embroidered man's cloak, which belonged to her late husband, Prince Albert. The cloak was sewn and embroidered by the couple's daughter, Princess Alice, and worn by her father with pride.
The cloak served as a remembrance not only of the Queen's beloved husband, but also Alice, who was, for many years, the child closest to Victoria. She was also the first of Victoria's children to die. So, in a sense, the placement of the cloak Alice made was another manifestation of Victoria's interest in the cult of death and memory.
Her Request For An Effigy Went Unfollowed For Unfortunate Reasons
Queen Victoria was laid to rest in the ornate mausoleum she'd had built years earlier to house her beloved Albert's remains. At his death, she ordered a life-size sculpture of Albert in repose, his head inclining toward a sculpture of his wife, which was placed atop his sarcophagus.
Her own, matching statue was put in storage for when she died. Victoria in marble repose appears just as she imagined herself even at the end - young, nubile, and in love. However, when she died 40 years later, everyone had forgotten where her grave statue was stored. So the queen was buried without the statue, until it was located months later, boarded up behind a wall in Windsor Castle.