Yes We Can
What just might be the most influential and recognizable image of the 21st Century, the official presidential campaign poster for United States President Barack Obama has been downloaded more than any other image in the last 50 years.
The artist, Shepard Fairey, has been hailed as a visionary and pioneer of effective political propaganda, on par with "We Like Ike" and "We Want YOU, President Roosevelt, to Stay and Finish the Job" (in response to the bombing of Pearl Harbor).
In this image, President Obama could either be listening intently or looking towards the f*ture. Either way, it succeeds in conveying the absolute virtue of what most campaign posters can only attempt to convey: Sincerity. Whether or not you like the man, you can't deny that the image is an effective one.
Salvador Dali employed extensive symbolism in his work.
For instance, the hallmark "soft watches" that first appear in The Persistence of Memory suggest Einstein's theory that time is relative and not fixed. The idea for clocks functioning symbolically in this way came to Dali when he was staring at a runny piece of Camembert cheese on a hot day in August.
Dali was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself.
So while you're staring at a print copy of Dali's works in your dentists office, think about the man behind the matte.
An American painter, printmaker, and filmmaker who was a leading figure in the visual art movement known as pop art, Warhol's most recognizable works include Campbell's soup cans, inverted color schemes, techno-color portraits and avant garde films.
Warhol is considered the father of pop art. His works spanned the 60's to the 80's. He was shot in 1968 and barely survived. He died of cardiac arrhythmia following gallbladder surgery.
Sailor Kissing Nurse
Taken on August 14th, 1945, arguably one of the most enduring and endearing images from the WWII era, it’s been used as a backdrop for weddings, post cards, greeting cards and more. The story behind the photo:
"I rode the subway into Times Square, got off, and when I walked up the stairs, a woman at the top said she was so happy for me. I ask hey 'Why?' and she said 'the war is over, you can go home now!' I was so excited I started jumping up and down and hollering because my oldest brother was a Japanese prisoner of war. He was there when the Philippines fell. Then this nurse held out her arms and I just looked up because I thought we were going to get run over. When I saw it was a photographer, I bent my hand back so you could see the lady's face..." - Glenn McDuffie, age 80, 2005
Glenn McDuffie laid claim in 2007 to being the kissing soldier and was supported by Houston Police Department forensic artist Lois Gibson.  Gibson's forensic analysis compared the Eisenstaedt photos with current-day photos of McDuffie, analyzing key facial features identical on both sets.
She measured his ears, facial bones, hairline, wrist, knuckles and hand, and compared those to enlargements of Eisenstaedt's picture.
McDuffie says the photograph is of him. McDuffie says that on August 14, 1945, he was on the subway to Brooklyn to visit his girlfriend, Ardith Bloomfield. He came out of the subway at Times Square, where people were celebrating in the streets. Excited that his brother, who was being held by the Japanese as a prisoner of war, would be released, McDuffie began hollering and jumping up and down. A nurse saw him, and opened her arms to him. He ran over to her and kissed her, kissing her for a long time so that Eisenstadt could take the photo:
I went over there and kissed her and saw a man running at us...I thought it was a jealous husband or boyfriend coming to poke me in the eyes. I looked up and saw he was taking the picture and I kissed her as long as took for him to take it.
On August 3, 2008, Glenn McDuffie was recognized for his 81st birthday as the "Kissing Sailor" during the seventh-inning stretch of the Houston Astros and New York Mets game at Minute Maid Park.
This piece, painted by Grant Wood in 1930, is considered by some to be the epitome of Midwestern values and culture. It was actually inspired by the Gothic Revival style of the upper window featured in the center of the piece.
When examining the work, it's easy to see why the farmer and his wife could be considered crusaders of conservatism. The man is dressed in a clean pair of overalls and his best suit jacket. The woman is wearing what is most likely a homemade dress, conservative in design.
The man holds his pitchfork, which would be symbolic as a scepter for his place in life and in the world. The woman looks to her husband for confirmation? Guidance? Or is she looking at him reproachfully for looking so stern himself?
The farmhouse and glimpse of a barn behind the couple solidifies their existence as farmers and gives the impression that this might be the only portrait the couple ever poses for.
While this image has been used in mockumentaries and sarcastic greeting cards, it does recall the olden days of a slower pace and simpler times.
G Options B Comments & Embed 2rerank list