Max Steiner

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  • Max Steiner Albums, Discography

    Max Steiner Albums, Discography

    by Referenceviews: 559Mar 7 2012

    List of all Max Steiner albums including EPs and some singles - a discography of Max Steiner CDs and Max Steiner records. List includes Max Steiner album cover artwork in many cases, and if we are missing an album cover feel free to upload it in wiki fashion. This full Max Steiner discography is alphabetical, however you can sor...more

  • Music By Max Steiner: Films Composed by Max Steiner

    Music By Max Steiner: Films Composed by Max Steiner

    by Referenceviews: 2645Dec 1 2010

    List of every movie with a Max Steiner score (136 Items). All films with a Max Steiner soundtrack are listed below with release date information and associated movie posters. List items include Roberta, The Making of a Legend: Gone With The Wind and many more. Any film with Max Steiner music in it is listed below alphabetically,...more

the ranks Max Steiner

listopedia Max Steiner

  • Bands from Austria

    All famous Austria bands and solo musicians are listed here. This Austria bands list includes photos when available. The top bands from Austria come from a number of different musical genres, but the most notable and prominent musical artists from Austria can be found here. List is made up of many different i...more

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buzzing Max Steiner

  • The three revolutions of film music

    From this evolution, three major milestones stand out, with the pioneers associated with each ones. 1) Atmospheric music with Max Steiner After the advent of the talkies, but before 1933's "King Kong", essentially all film music had to offer an on-screen source.

  • Philharmonic's pops concert relives 70 years of cinematic history

    “That’s Entertainment,” the MGM movie studio medley gave way for tuneful memories like Max Steiner’s “Tara’s Theme” from “Gone With the Wind,” and Henry Mancini’s “Moon River” from 1961’s “Breakfast at Tiffany’s.

  • DVD Extra: Selznick's busy RKO year; Fox unveils first MOD slate

    Like "Phantom of Crestwood,'' it benefits from a full background score by Max Steiner, then head of RKO's music department. One of Selznick's coups was signing the great John Barrymore, who had a nonexclusive deal at MGM, for three films at RKO during his tenure.

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