Quotations

The Best Camille Paglia Quotes  

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A list of the best Camille Paglia quotes. This list is arranged by which famous Camille Paglia quotes have received the most votes, so only the greatest Camille Paglia quotes are at the top of the list. All the most popular quotes from Camille Paglia should be listed here, but if any were missed you can add more at the end of the list. This list includes notable Camille Paglia quotes on various subjects, many of which are inspirational and thought provoking.

This list answers the questions, "What are the best Camille Paglia quotes?" and "What is the most famous Camille Paglia quote?"

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1
Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives. Camille Paglia
2
My thinking tends to be libertarian. That is, I oppose intrusions of the state into the private realm -- as in abortion, sodomy, prostitution, pornography, drug use, or suicide, all of which I would strongly defend as matters of free choice in a representative democracy. Camille Paglia
3
Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it. Everyone born into capitalism has incurred a debt to it. Give Caesar his due. Camille Paglia
4
It is capitalist America that produced the modern independent woman. Never in history have women had more freedom of choice in regard to dress, behavior, career, and sexual orientation. Camille Paglia
5
Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women. Camille Paglia
6
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct. Camille Paglia
7
If civilization had been left in female hands we would still be living in grass huts. Camille Paglia
8
A woman simply is, but a man must become. Masculinity is risky and elusive. It is achieved by a revolt from woman, and it is confirmed only by other men. Manhood coerced into sensitivity is no manhood at all. Camille Paglia
9
A serious problem in America is the gap between academe and the mass media, which is our culture. Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy. Camille Paglia
10
Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up. Camille Paglia
11
Cats are autocrats of naked self-interest. They are both amoral and immoral, consciously breaking rules. Their evil look at such times is no human projection: the cat may be the only animal who savors the perverse or reflects upon it. Camille Paglia
12
Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature. Camille Paglia
13
Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention. Camille Paglia
14
American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone. Camille Paglia
15
All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once! Camille Paglia
16
Pursuit and seduction are the essence of sexuality. It's part of the sizzle. Camille Paglia
17
The prostitute is not, as feminists claim, the victim of men but rather their conqueror, an outlaw who controls the sexual channel between nature and culture. Camille Paglia
18
In the theory of gender I began from zero. There is no masculine power or privilege I did not covet. But slowly, step by step, decade by decade, I was forced to acknowledge that even a woman of abnormal will cannot escape her hormonal identity. Camille Paglia
19
If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them. Camille Paglia
20
Despite crime's omnipresence, things work in society, because biology compels it. Order eventually restores itself, by psychic equilibrium. Camille Paglia
21
Pregnancy demonstrates the deterministic character of woman's sexuality. Every pregnant woman has body and self taken over by a chthonian force beyond her control. In the welcome pregnancy, this is a happy sacrifice. But in the unwanted one, initiated by rape or misadventure, it is a horror. Such unfortunate women look directly into nature's heart of Darkness. For a fetus is a benign tumor, a vampire who steals in order to live. The so-called miracle of birth is nature getting her own way. Camille Paglia
22
Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature. Camille Paglia
23
Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaver-like tunneling to the top. Camille Paglia
24
Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy. Camille Paglia
25
The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images. Camille Paglia