Doing What Actors DoLists about actors and actresses and the characters they became, how they disappeared into roles, what they really look like, and more.
Updated August 30, 2021 45k votes 11.8k voters 932.4k views
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Vote up the actors who probably least recognized their finished movie.
Have you ever started filming a movie you thought was a comedy, but it was actually a horror film? Probably not because, chances are, you're not a famous actor (but if it is you, Mr. Murray, humanity doesn't deserve you). But believe it or not, this kind of stuff actually does happen to movie stars. Actors who thought they were making different films (or at least, different kinds of films) are, well, people in Stephen King movies, mostly. And then there are actors whose roles were much different than they thought they'd be, including such big names as Charlton Heston, Halle Berry, and the whole cast of The Usual Suspects.
It's surprising, but it happens more than you might think. Sure, actors could pay attention to what they're doing, or give a flying muffin about more than just a paycheck, but then we wouldn't have these hilarious stories. Here are some knee-slapping instances of actors coming out the back end of a film with no idea what the world was about to see.
The Thin Red Line is based on a novel about the Battle of Mount Austen, revolving around the character Corporal Fife (played by Adrien Brody in the movie). Brody made the reasonable assumption that he was the main character of the film, since Fife was the main character of the novel, but it turned out he was wrong.
Since he was an up-and-comer at the time, many of his scenes were cut from the final product, highlighting the real stars of the film George Clooney, John Travolta, Nick Nolte, John Cusack, Woody Harrelson, and Sean Penn, even though none of them were, you know, the protagonist. Brody, unfortunately, was unaware of the cuts, but learned when he viewed the premiere with his parents whom he had brought along.
Danny Lloyd played Danny Torrance in The Shining as a five-year-old. He also didn't know he was making a horror movie. This is mostly because he was told he wasn't.
Director Stanley Kubrick actually had the child's best interest at heart (which is surprising, given his well-documented reputation), so in order to protect little Danny from trauma, he not only told him they were making a drama, but he took steps to keep Danny out of scary situations. When Wendy is running from Jack with Danny in her arms, she's actually carrying a dummy, so the boy wouldn't have to be in a scary scene.
Frankie Laine was a singer who recorded music for a number of famous westerns like 3:10 to Yuma and Rawhide, so Mel Brooks thought he'd be a perfect fit for the theme of Blazing Saddles. Frankie Laine agreed to take the gig, and was so moved by his performance that he cried after recording it.
This is a strange reaction, considering the movie's a preposterous satire of the Western genre, but Laine apparently had no idea: "I thought I was doing a song for another High Noon, and I gave it my best dramatic reading... When I saw wacky things happening on the screen, like a guy punching a horse, I sunk down into my seat with embarrassment."
When Piper Laurie received the script for Carrie, she was not impressed. "I read [the script] and I thought it was a comedy - no, no, no," she corrected, "I thought it was stupid." Her husband at the time told her that she misunderstood it; that director Brian De Palma had a comedic approach, so she reread it and recognized it for what it was: satire.
Well, it's neither really. But when you hear her talk about it, which you can in the above video, she initially sounds a little ridiculous, but ultimately charming. In the end, she really enjoyed both making the movie, as well as the final product. And she almost won an Oscar!
Gore Vidal doctored up the screenplay for Ben-Hur a bit by injecting just a pinch of homoerotic subtext. In fact, he told director William Wyler as much. Wyler agreed to keep it in the film, but told Vidal not to tell Charlton Heston, who would "fall apart" if he knew.
Heston disputed the claim in his memoir, to which Vidal essentially said, "Surprise, surprise." The subtle romance takes place between Heston's Judah Ben-Hur and his "friend" turned enemy Messala, who ultimately opposes Ben-Hur because he's a spurned lover. Hell hath no fury like that of a Roman scorned.
Garfield: The Movie was written by Joel Cohen, not to be confused with Joel Coen of the much celebrated sibling filmmakers. Someone should have cleared that up for Bill Murray, because he thought it wasthat Joel Coen. Therefore, he only read a couple of pages of the script before accepting the role, trusting Joel Coen implicitly.
But when he started recording his lines, he was ultimately forced to ask, "Who the hell cut this thing? Who did this? What the f*ck was Coen thinking?" so they explained that it was the other Joel Cohen.