Audiences across the world agree Robert De Niro is one of the greatest actors to ever grace the silver screen. As fun as it is to watch him dish out a tasty monologue or walk in slow motion to the Rolling Stones, it’s just as captivating to watch De Niro play off an equally spectacular actor. Classic Robert De Niro costars like Harvey Keitel and Ray Liotta have appeared in some of the greatest scenes ever, but these are obvious choices. Some of the best Robert De Niro costar performances come from actors you may not associate with De Niro’s filmography. Yes, the best Robert De Niro costars are the actors who know how to let De Niro do his thing without hampering their own pristine talents.
De Niro has appeared alongside some of cinema’s greatest talents. Despite this, there haven’t been many actors who can go toe-to-toe with this God of the silver screen and improve a scene, rather than looking like a kid from a high school play who wandered into the wrong role (Daniel Day-Lewis has this same effect). Whether he’s appearing in a gritty '70s gangster film or a comedy about old people working in an office filled with millennials, De Niro brings something special to the screen, not just through his own work, but by offering co-stars a chance to shine. Vote up the best performances by any of Robert De Niro’s co-stars, and then go get your shine box and vote in our list of Robert De Niro's best movies.
The Intern should not have been as good as it was. Everything about it lulls you into believing it's going to be a Lifetime movie with a big budget, but the moment De Niro and Hathaway are on screen together, this movie takes off like a rocket. Their chemistry even makes a scene about signing an old man up for Facebook pop. Seriously, Hathaway somehow makes the line, "I just knew that a woman with a glass of wine and a laptop had real shopping potential" work perfectly.
The Deer Hunter is one of the most emotionally draining, socially important movies of the 1970s. It stars Robert De Niro and Christopher Walken as a pair of friends whose lives are completely destroyed by the Vietnam War. Even if you haven't seen the film, you know about its famous, nerve-wracking Russian roulette scene, a metaphor for the war and its wasted generation, in which Walken's heartbreaking mental collapse is the perfect compliment to De Niro's deranged bravado.
The scene recurs much later, after Walken's character, suffering from extreme PTSD, has abandoned life, and De Niro goes looking for him. The scene reiterates the metaphor of Russian roulette as the war - at random, one lives, one survives.
With Heat, Michael Mann accomplished many things, chief among them putting Al Pacino and Robert De Niro on screen together for one of the most tense dialogue scenes of the 20th century. It's hard to say whether Pacino is De Niro's co-star here, since the film focuses perhaps more on the former than the latter, but their meeting of the minds is the perfect collision of Pacino's twitchy theatrics and De Niro's restrained intensity.
Having the two greats face off in a diner is akin to cowboys with tremendous mutual respect meeting at high noon surrounded by innocent bystanders, each ready to draw his gun, both aware it's neither the time nor the place. In a stellar take on the "we're not so different, you and I speech," Al Pacino, as an LAPD who's after De Niro, leans in and says
"My life's a disaster zone. I got a step daughter so f*cked up because her real father's this large type asshole. I got a wife. We're passing each other on the down slope of a marriage, my third, because I spend all my time chasing guys like you around the block. That's my life."
The blocking and structure of the scene, much of which goes unseen to those not looking for it, is also a work of genius. See Mann, Pacino, and De Niro discuss it with Christopher Nolan.
Joe Pesci has an uncanny ability to go from warm and magnetic to cold and repulsive on a dime, and be totally convincing at both. Perhaps his greatest master class in sociopathic behavior comes in Goodfellas, in which he steals the movie from star Ray Liotta, and threatens to out perform De Niro. The talents of all three are on fine display in a scene in which Pesci gets insulted at a bar by a fellow mafioso, and De Niro, at his poker-faced best, and Liotta, young and hungry for violence and loyalty, intervene.
That said, if you only ever watch one scene with from Goodfellas or featuring Pesci, make sure it's this one: "What do you mean I'm funny? Funny how? Funny like I'm a clown? I amuse you?"