The Best Musicals by Rodgers and Hammerstein

Over 300 Ranker voters have come together to rank this list of The Best Musicals by Rodgers and Hammerstein
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When it comes to successful composers of hit Broadway shows, Rodgers and Hammerstein are one of the most well-known duos of all time. The impact these two have had on musical theater is staggering. Not only did the pair compose catchy songs that have remained popular over time, they renovated the musical genre by weaving serious social commentary into their work. Works like South Pacific and The Sound of Music addressed tragic historical eras and explored social issues of the day. The best Rodgers and Hammerstein musicals are some of the most beloved shows of all time, still widely performed today. 

The appeal of Rodgers & Hammerstein extends well beyond the theatric world as there have been a nearly uncountable number of adaptations of their plays over the years. The movie version of The Sound of Music swept the 1966 Academy Awards and NBC aired a live performance of the show in 2013. Movies like Oklahoma! and The King and I remain veritable Hollywood classics. Not to mention, there are plenty of pop culture references to their works in modern media. The top Rodgers and Hammerstein musicals make their phenomenal impact on the stage more than apparent. If you're looking for musical recommendations, browse this list! 

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  • The Sound of Music is a multiple Tony Award-winning musical by Richard Rodgers, lyrics by Oscar Hammerstein II and a book by Howard Lindsay and Russel Crouse. It is based on the memoir of Maria von Trapp, The Story of the Trapp Family Singers. Many songs from the musical have become standards, such as "Edelweiss", "My Favorite Things", "Climb Ev'ry Mountain", "Do-Re-Mi", and the title song "The Sound of Music". The original Broadway production, starring Mary Martin and Theodore Bikel, opened on November 16, 1959. This production was a five time winner at the 14th Tony Awards, out of nine nominations. The original London production opened at The Palace Theatre on May 18, 1961 starring Jean Bayless and Roger Dann. The show has enjoyed numerous productions and revivals since then, with a 1998 Broadway production earning a Tony nomination for Best Revival. It was adapted as a 1965 film musical starring Julie Andrews and Christopher Plummer, which won five Academy Awards. The Sound of Music was the final musical written by Rodgers and Hammerstein; Oscar Hammerstein died of cancer nine months after the Broadway premiere.
  • Oklahoma!
    2
    134 votes
    Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancée, Ado Annie. The original Broadway production opened on March 31, 1943. It was a box-office smash and ran for an unprecedented 2,212 performances, later enjoying award-winning revivals, national tours, foreign productions and an Academy Award-winning 1955 film adaptation. It has long been a popular choice for school and community productions. Rodgers and Hammerstein won a special Pulitzer Prize for Oklahoma! in 1944. This musical, building on the innovations of the earlier Show Boat, epitomized the development of the "book musical", a musical play where the songs and dances are fully integrated into a well-made story with serious dramatic goals that are able to evoke genuine emotions other than laughter. In addition, Oklahoma! features musical themes, or motifs, that recur throughout the work to connect the music and story. A fifteen-minute "dream ballet" reflects Laurey's struggle with her feelings about two men, Curly and Jud.
  • South Pacific
    3
    112 votes
    South Pacific is a musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan. The work premiered in 1949 on Broadway and was an immediate hit, running for 1,925 performances. The story is based on James A. Michener's Pulitzer Prize-winning 1947 book Tales of the South Pacific, combining elements of several of the stories. Rodgers and Hammerstein believed that they could write a musical based on Michener's work that would be financially successful and, at the same time, would send a strong progressive message on racism. The plot centers on an American nurse stationed on a South Pacific island during World War II who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. lieutenant and a young Tonkinese woman, explores his fears of the social consequences should he marry his Asian sweetheart. The issue of racial prejudice is candidly explored throughout the musical, most controversially in the lieutenant's song, "You've Got to Be Carefully Taught".
  • The King and I
    4
    The King and I is the fifth musical by the team of composer Richard Rodgers and dramatist Oscar Hammerstein II. It is based on Margaret Landon's novel, Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth longest-running Broadway musical in history at the time, and has had many tours and revivals. In 1950, theatrical attorney Fanny Holtzmann was looking for a part for her client, veteran leading lady Gertrude Lawrence. Holtzmann realized that Landon's book would provide an ideal vehicle and contacted Rodgers and Hammerstein, who were initially reluctant but agreed to write the musical. The pair initially sought Rex Harrison to play the supporting part of the King, a role he had played in the 1946 film made from Landon's book, but he was unavailable. They settled on the young actor and television director Yul Brynner. The musical was an immediate hit, winning Tony Awards for Best Musical, Best Actress (for Lawrence) and Best Featured Actor (for Brynner). Lawrence died unexpectedly of cancer a year and a half after the opening, and the role of Anna was played by several actresses during the remainder of the Broadway run of 1,246 performances. A hit London run and U.S. national tour followed, together with a 1956 film for which Brynner won an Academy Award, and the musical was recorded several times. In later revivals, Brynner came to dominate his role and the musical, starring in a four-year national tour culminating in a 1985 Broadway run shortly before his death. Christopher Renshaw directed major revivals on Broadway (1996), winning the Tony Award for Best Revival, and in the West End (2000). A 2015 Broadway revival won another Tony for Best Revival. Both professional and amateur revivals of The King and I continue to be staged regularly throughout the English-speaking world.
  • Carousel
    5
    118 votes
    Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnár's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right. A secondary plot line deals with millworker Carrie Pipperidge and her romance with ambitious fisherman Enoch Snow. The show includes the well-known songs "If I Loved You", "June Is Bustin' Out All Over" and "You'll Never Walk Alone". Richard Rodgers later wrote that Carousel was his favorite of all his musicals. Following the spectacular success of the first Rodgers and Hammerstein musical, Oklahoma! (1943), the pair sought to collaborate on another piece, knowing that any resulting work would be compared with Oklahoma!, most likely unfavorably. They were initially reluctant to seek the rights to Liliom; Molnár had refused permission for the work to be adapted in the past, and the original ending was considered too depressing for the musical theatre. After acquiring the rights, the team created a work with lengthy sequences of music and made the ending more hopeful. The musical required considerable modification during out-of-town tryouts, but once it opened on Broadway on April 19, 1945, it was an immediate hit with both critics and audiences. Carousel initially ran for 890 performances and duplicated its success in the West End in 1950. Though it has never achieved as much commercial success as Oklahoma!, the piece has been repeatedly revived, recorded several times and was filmed in 1956. A production by Nicholas Hytner enjoyed success in 1992 in London, in 1994 in New York and on tour. Another Broadway revival opened in 2018. In 1999, Time magazine named Carousel the best musical of the 20th century.
  • Cinderella
    6

    Cinderella

    112 votes