The Best of William Shakespeare's Sonnets

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Which are the best of Shakespeare's sonnets? This list includes the best of The Bard's 154 sonnets. These are all poems that deal with love, beauty, the passage of time, and mortality. It is likely these touchy subjects that continue to drive our fascination with Shakespeare’s sonnets, as they are still popular today. 

Shakespeare's sonnets almost all follow the same structure. The consist of three quatrains of four line stanza, and a final couplet written in iambic pentameter. The rhyme scheme Shakespeare used for his sonnets was: abab cdcd efef gg. Though a few sonnets are exceptions to this rule (99, 126, 145) most of the sonnets are strictly "Shakespearean."

The sonnets were first published in 1609 by Thomas thorpe, though it remains unknown as to whether the manuscript Thorpe used was authorized or not.

Vote up the best of William Shakespeare's sonnets below or add your favorite Shakespearean sonnet, if it isn't already on the list.

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  • Sonnet 18 - Shall I compare thee to a summer's day?
    Photo: Shakespeare / Wikimedia Commons / Public Domain
    Shall I compare thee to a summer's day?
    Thou art more lovely and more temperate:
    Rough winds do shake the darling buds of May,
    And summer's lease hath all too short a date:
    Sometime too hot the eye of heaven shines,
    And often is his gold complexion dimmed,
    And every fair from fair sometime declines,
    By chance, or nature's changing course untrimmed:
    But thy eternal summer shall not fade,
    Nor lose possession of that fair thou ow'st,
    Nor shall death brag thou wander'st in his shade,
    When in eternal lines to time thou grow'st,
    So long as men can breathe, or eyes can see,
    So long lives this, and this gives life to thee.
  • Sonnet 130 - My mistress' eyes are nothing like the sun
    Photo: Shakespeare / Wikimedia Commons / CC-BY-SA 4.0
    My mistress' eyes are nothing like the sun;
    Coral is far more red, than her lips red:
    If snow be white, why then her breasts are dun;
    If hairs be wires, black wires grow on her head.
    I have seen roses damasked, red and white,
    But no such roses see I in her cheeks;
    And in some perfumes is there more delight
    Than in the breath that from my mistress reeks.
    I love to hear her speak, yet well I know
    That music hath a far more pleasing sound:
    I grant I never saw a goddess go,
    My mistress, when she walks, treads on the ground:
    And yet by heaven, I think my love as rare,
    As any she belied with false compare.
  • Sonnet 116 - Let me not to the marriage of true minds
    Photo: Shakespeare / Wikimedia Commons / CC-BY-SA 4.0
    Let me not to the marriage of true minds
    Admit impediments. Love is not love
    Which alters when it alteration finds,
    Or bends with the remover to remove:
    O, no! it is an ever-fixed mark,
    That looks on tempests and is never shaken;
    It is the star to every wandering bark,
    Whose worth's unknown, although his height be taken.
    Love's not Time's fool, though rosy lips and cheeks
    Within his bending sickle's compass come;
    Love alters not with his brief hours and weeks,
    But bears it out even to the edge of doom.
    If this be error and upon me proved,
    I never writ, nor no man ever loved.
  • Sonnet 73 - That time of year thou mayst in me behold
    Photo: Shakespeare / Wikimedia Commons / CC-BY-SA 4.0
    That time of year thou mayst in me behold
    When yellow leaves, or none, or few, do hang
    Upon those boughs which shake against the cold,
    Bare ruined choirs, where late the sweet birds sang.
    In me thou see'st the twilight of such day
    As after sunset fadeth in the west;
    Which by and by black night doth take away,
    Death's second self, that seals up all in rest.
    In me thou see'st the glowing of such fire,
    That on the ashes of his youth doth lie,
    As the death-bed, whereon it must expire,
    Consumed with that which it was nourish'd by.
    This thou perceiv'st, which makes thy love more strong,
    To love that well, which thou must leave ere long.
  • Sonnet 29 - When in disgrace with fortune and men's eyes
    Photo: Shakespeare / Wikimedia Commons / CC-BY-SA 4.0
    When in disgrace with fortune and men's eyes
    I all alone beweep my outcast state,
    And trouble deaf heaven with my bootless cries,
    And look upon myself, and curse my fate,
    Wishing me like to one more rich in hope,
    Featured like him, like him with friends possessed,
    Desiring this man's art, and that man's scope,
    With what I most enjoy contented least;
    Yet in these thoughts my self almost despising,
    Haply I think on thee, and then my state,
    Like to the lark at break of day arising
    From sullen earth, sings hymns at heaven's gate;
    For thy sweet love remembered such wealth brings
    That then I scorn to change my state with kings.
  • Sonnet 55 - Not marble, nor the gilded monuments
    Photo: Shakespeare / Wikimedia Commons / CC-BY-SA 4.0
    Not marble, nor the gilded monuments
    Of princes, shall outlive this powerful rhyme;
    But you shall shine more bright in these contents
    Than unswept stone, besmear'd with sluttish time.
    When wasteful war shall statues overturn,
    And broils root out the work of masonry,
    Nor Mars his sword, nor war's quick fire shall burn
    The living record of your memory.
    'Gainst death, and all oblivious enmity
    Shall you pace forth; your praise shall still find room
    Even in the eyes of all posterity
    That wear this world out to the ending doom.
    So, till the judgment that yourself arise,
    You live in this, and dwell in lovers' eyes.