The Beach Boys' Brian Wilson is arguably one of the most influential figures in music history, beloved by the Beatles and considered a genius by many for his songs that bridged the gap between pop and orchestral music. Wilson was also a deeply troubled figure whose use of drugs impacted both his music and his mental state. His turbulent career featured breakdowns, rehabilitation stints and an abusive relationship with his former doctor. Wilson claims to still experience auditory hallucinations to this day.
Despite his mental troubles, many of Wilson's songs are complex and moving. Others reflect both the state of his mental health and the effects that time had on his songwriting abilities. Here are just some of the most bizarre moments in Wilson's vast catalog of songs.
"TM Song" (1976)
"TM Song," from the Beach Boy's 1976 album 15 Big Ones, is one of Wilson's weirdest compositions. The short, bouncy song about transcendental meditation is, in reality, a brief meditation on Wilson's declining songwriting prowess.
With lyrics like, "Maharishi gave it to me, and I wonder if it set me free and it did. And he'll tell you, sometimes it goes real fast and sometimes it goes real slow," the song comes off more like an advertisement for transcendental meditation than a song.
"The Baker Man" (1963)
It's easy to see why "The Baker Man" was left out of the original 1963 pressing of Surfin' USA and only released on the 1990 re-issue. Built around the classic nursery rhyme, Wilson sings:
Here comes a dance that will never be banned now
Patty cake patty cake baker's man
Yeah, stolen from a story called The Baker's Man.
The most notable thing about this strange early track is that it offers an early look into Wilson's later progression as a producer and songwriter. His unorthodox singing and the child-like nature of the song can undoubtedly be connected to much of his later work, which was at times so bizarre and lighthearted that it bordered on children's music.
"A Day In The Life Of A Tree" (1971)
1971's Surf's Up marked a transitional period for the Beach Boys, as Wilson's contributions to the band were growing smaller. One of his most powerful and weirdest later period songs, "A Day In The Life Of A Tree" follows the story of a tree, with Wilson's raw vocals surrounded by a church organ and whimsical production.
The song showcases how beautiful Wilson's melodies are, while also revealing how out there he could go thematically. Co-written with Jack Rieley, one reviewer called "Tree" "one of Brian's most deeply touching and bizarre compositions."
"The Elements: Fire" (1966)
The story of The Beach Boys' abandoned Smile album is now legendary, and perhaps no song encapsulates the craziness that was ensuing in the studio at the time more than "The Elements: Fire (Mrs. O'Leary's Cow)." The song is simply a series of sirens and other noises, with a small section that finds the Beach Boys harmonizing with no lyrics.
At a little over two minutes, "Fire" is the stuff of legend because of the unorthodox recording session it resulted from. During recording, a fire broke out down the street from the studio and Wilson was so paranoid from his drug use and mental state that he thought he somehow caused it.
"I thought we caused the fire. I couldn't believe it. I said, 'There's a fire down the street!' But I don't think we caused the fire. I don't think so. I did at the time but now I know it wasn't," Wilson later recalled.