When Candyman premiered in 1992, it was a breath of fresh air for both slashers and the horror genre. The titular killer, played by Tony Todd, is no mutilated nightmare monster or silent masked maniac, but a dignified, poetic, and even sympathetic mirror-dwelling phantom.
The plot covers intriguing topics like the source of urban legends, issues of social class and race, and the truly terrifying question of whether belief has the ability to manifest the corporeal. These themes were interesting enough to spawn three more installments spanning from the '90s to the 2020s, and every new film added to Candyman's lore.
But that lore can get rather convoluted along the way, especially the parts that aren't chronological. So here is the history of Candyman, from his birth to his latest (but probably not last) resurrection.
Circa 1865, Daniel Robitaille Is Born The Son Of A SlavePhoto: Day of the Dead / HBO
Far before the events of any of the films, and before the Candyman legend even existed, there was man of flesh and blood who was born in the 1800s. The first film does not name him, but it does explain that at the end of the Civil War, his father, formerly enslaved, was newly wealthy from his invention of a shoe-making machine. With this money, he was able to send his son to the best schools in the country and give him the chance to grow up in polite society, among the socialites of the day.
Surprisingly, not until the second film, Farewell to the Flesh, did he get a name: Daniel Robitaille. The sequel fills in other details, as well: He was born at Esplanade Plantation in New Orleans shortly after the end of the Civil War, meaning he was born either during or very shortly after 1865.
In 1890, Robitaille Is Commissioned To Paint The Daughter Of A Prominent LandownerPhoto: Day of the Dead / HBO
Through his extensive education and travels, Daniel Robitaille not only became a charismatic and well-educated young man, but also discovered that he possessed a great talent for art, gaining him renown amongst the upper class. They would seek him out and commission him to paint their portraits, which they'd hang in their homes as status symbols. This was how he met Caroline Sullivan, the daughter of a wealthy landowner in the Cabrini-Green area of Chicago. This man's name is never mentioned in any of the films, but the credits of Farewell to the Flesh identify him as Heyward Sullivan.
The man had hired Robitaille to capture Caroline's "virginal beauty" in his art, but little did he realize that during those long hours of portrait-sitting, the two would bond and fall deeply in love. Eventually, Caroline became pregnant with Robitaille's child.
Shortly After, He Is Lynched For Forming A Relationship With A White WomanPhoto: Farewell to the Flesh / Gramercy Pictures
Once Heyward realized his white daughter had formed a relationship with a Black man, his hatred and racism boiled over. He hired a group of men to finish the painter, and some neighbors joined the crowd to witness his doom. After a chase, Robitaille's attackers cornered him, sawed off his hand with a rusty blade, slathered him in honey from the local apiary, and watched as angry bees stung him relentlessly. One boy watching took a taste of the leftover honey and called Robitaille "Candyman" for the first time. The crowd followed, chanting the name repeatedly to mock him.
Just before Robitaille succumbed to the bees' venom, Heyward joined in the taunting, holding a mirror up to Robitaille's mutilated face as the crowd held back Caroline, who was screaming through her tears. In this moment of agony, Robitaille's spirit was transferred into the mirror, leaving his cold body behind.
Caroline then broke free and made off with the mirror, never to be seen by the people of Cabrini-Green again. Robitaille, meanwhile, was burned on a pyre and his ashes were spread across the area, and over time, his story faded into legend.
Caroline Lives On Through The Early 1900s, Carrying Daniel Robitaille's Legacy In SecretPhoto: Farewell to the Flesh / Gramercy Pictures
While many of her neighbors believed she had taken her own life or simply vanished out of shame, in reality, Caroline ran away to the South. She ended up at Esplanade Plantation in New Orleans, the birthplace of her lost lover. Here, she hid the last piece of him, the soul contained in the mirror.
She also stayed and gave birth to their daughter Isabel, whom she raised as white. With her fair skin, the little girl easily passed, and the family line continued with no outsiders knowing their true lineage - in fact, the family itself eventually lost this knowledge. Within a few generations, Annie Tarrant, the protagonist of Farewell to the Flesh was born and raised in this same house, with no clue that Isabel was her grandmother or that Candyman her great-grandfather. When she later moved out, the house fell to ruin and vandals.