Crazy fashion trends from history teach contemporary clothes horses a few things. One, people will go to ridiculous lengths to prove their station in society. They’ll nearly break their necks by teetering on towering platform shoes, hobble themselves with skirts, and bind themselves up in an organ-shifting corset, all in the name of style. And two, exaggeration is key. From hugely padded sleeves to large embroidered codpieces, true devotes of trends believed that bigger was better.
Weird fashion trends from history were frequently dangerous as well. Vivid dyes could be made with toxic arsenic, while voluminous crinolines could easily catch on fire. Even if the clothing wasn't fatal, a lot of these crazy fashion trends from history seriously impaired a person’s ability to live a normal life. People who wore bliauts couldn’t really use their arms. Men who donned crakowes found walking a bit problematic. And extra wide panniers kept women from fitting through narrow doors.
Whether they're deadly or just plain nuts, you can be thankful these fashion trends are in the past.
Lotus shoes were worn by Chinese girls with bound feet. For centuries, families repeatedly broke and folded the feet of their young daughters to create the tiny feet that epitomized femininity. The foot was bound with long ribbons to prevent growth. If the toes withered and fell off, even better. The process usually took between two to three years, and the girl’s feet were bound for the rest of her life.
Women with bound feet wore Lotus shoes, cone or sheath-shaped footwear that resembled a lotus bud. The shoes were made of silk or cotton and were usually ornate, embroidered with flowers, animals, and other traditional patterns.
There were many attempts to ban foot binding throughout history. It was officially outlawed in 1912, though the practice was still carried out in secret in some areas of China for years after.
Bottle-green dresses were all the rage in the Victorian era, and they had price tags to match. To achieve this lovely shade of green, the fabric was dyed using large amounts of arsenic. Some women suffered nausea, impaired vision, and skin reactions to the dye. But the dresses were only worn on special occasions, limiting exposure to the arsenic in the fabric.
The garment makers were the real sufferers - many died to bring this trend to the fashionable set.
15th and 16th century men sought to accentuate their packages with codpieces. They were often made of padded cloth or embroidered fabric, though metal codpieces were also worn. Held in place with buttons, strings, or ties, the codpiece was designed to draw praise and raise a man’s profile. Even the name was knowingly bawdy - "cod" was slang for scrotum.
But French philosopher Michel de Montaigne wasn’t having it, calling out the hypocrisy of the device. In the 1580s, he deemed the codpiece "an empty and useless model of a member that we cannot even decently mention by name, which however we show off and parade in public."
Codpieces eventually fell out of fashion as doublet styles changed and breeches became more billowing.
In the 1910s, French designer Paul Poiret - dubbed "The King of Fashion" in America - debuted the hobble skirt. The long, close-fitting skirts forced women who wore them to adopt mincing, tiny steps. True, Poiret's design liberated women from heavy petticoats and constricting corsets.
But as he said, "Yes, I freed the bust. But I shackled the legs."