Tommy Wiseau's The Room is an enigma. It's not just a bad film - it's a film so inexplicably terrible that the realm of its awfulness doesn't even feel like it should exist on this planet. Between the out-of-sync, overdubbed dialogue, the plot lines that never resolve, and Wiseau's bizarre accent, it reads like an alien interpretation of a human love triangle. In fact, most of us wouldn't be surprised if Wiseau was an extraterrestrial in a human suit a la Men In Black. Yet, we can't help but love it - just ask the leagues of admirers that attend midnight showings and throw handfuls of plastic spoons at the screen in adoration.
The Room behind-the-scenes is exactly the brand of bizarre that you'd expect from a film so bafflingly awful that it actually elicits a positive emotional response. Many people herald it as the Citizen Kane of bad movies, and it's so widely beloved that James Franco transformed its story into the Golden Globe-winning film The Disaster Artist.
Wiseau's path to success (or failure, depending on how you look at it) is deeply inspiring. He proves that you can achieve your wildest dreams with hardly any technical ability, as long as you never give up. After 14 years, Wiseau finally received his Golden Globe in 2018 by proxy, but it still counts. Or at least it should.
The Room versus The Disaster Artist is truly an exploration of awful. The former is the worst film ever made, and the latter is heralded as the highest form of art. So where do we draw the line? What makes our idea of terrible anything other than thinly-veiled genius? The true story behind The Disaster Artist questions our rigid ideas of success and has us screaming, "You're tearing me apart, Lisa!" And maybe, one day, if we all try hard enough, we'll forget the image of Wiseau's bare, pale butt that's permanently burned into our retinas.
Tommy Wiseau Insisted The Movie Wouldn't Sell Without Shots Of His Bare Butt
Sitting in an STD clinic waiting for test results, accidentally overhearing your parents have sex, listening to your grandpa defend Trump's "grab them by the p*ssy" audiotape - these things are all decidedly less uncomfortable than The Room's infamous sex scene. Despite the number of times the film's editor pleaded to cut the scene on account of how it "scared his wife," Tommy Wiseau was steadfast in gratuitously showing his naked rear. Why? He swore the film wouldn't sell without it.
In his book The Disaster Artist, Greg Sestero claims Wiseau said, "I have to show my ass or this movie won't sell."
Stock Images Of Spoons Were Strategically Placed Throughout The Film For A Bizarre Reason
It's not just the dialogue, character development, cinematography and the "nuanced" acting that's utterly bizarre; The Room's hand-picked apartment décor is beyond strange. Throughout the film, almost every picture frame on set is filled with a stock image of cutlery. Why?!
Again, no one really knows. Tommy Wiseau claims it was a statement calling out America's unhealthy dependence on disposable products. Greg Sestero, who starred across Wiseau as Mark, claimed the images came with the frames the crew bought to decorate the apartment. Wiseau thought there wasn't enough time to find new pictures and left them as they were.
It Took Tommy Wiseau 32 Takes To Say "Oh, Hi Mark" With The Proper Level Of Conviction
Tommy Wiseau casually saying "oh, hi, Mark" after screaming about his girlfriend's abuse allegations is arguably one of the film's most revered scenes (and not because it's any good). According to co-star Greg Sestero, this Academy Award nominated piece of artistic expression took more than a few tries.
It took Wiseau a whopping 32 takes to perfect the lines, "I did not hit her! It's not true! It's bullsh*t! I did not hit her! I did not! Oh, hi, Mark!"
And he needed cue cards. The effort was clearly worth it because it was the performance of a lifetime.
Johnny Was Supposed To Be A Vampire With A Flying Car
Tommy Wiseau constantly changed his mind about the film's plot lines, which was a point of contention for a few of his crew members. Had Wiseau gone with some of his initial instincts, the film may have been inconceivably more ridiculous.
According to The Disaster Artist: My Life Inside The Room, The Greatest Bad Movie Ever Made by Greg Sestero, Wiseau briefly considered making Johnny a vampire who flew away in a levitating car. "It’s just possible side plot. Maybe Johnny is vampire,” he said.