Tim Burton's Edward Scissorhands is a timeless classic that inverts a typical monster movie by telling the story from the creature's perspective. It's a macabre fairy tale of acceptance and true love that's also incredibly disturbing. From the opening credits, the film reveals traumatic details that remain with the audience long after the movie ends.
Edward Scissorhands signaled the start of an extensive, lucrative relationship that created many beloved Tim Burton and Johnny Depp movies. The pair has specialized in movies about misunderstood outsiders, but none is more unsettling than this film, which brings up questions about mortality, immortality, and identity.
Whether it's Edward slicing up the people he loves or having his "father" expire in front of him, these moments from Edward Scissorhands prove Burton meant for this film to hurt.
One of the more unsettling aspects of the film is how Peg's housewife friends start swooning over Edward. From the moment he shows up, they find him titillating because he is different. They invite themselves over and inquire about his life.
Joyce is especially bold, as she tries to start a business with Edward as well as seduce him.
When Peg finds Edward in the mansion, he has been living there alone since his inventor passed the previous winter, if not earlier. None of the townspeople appear to acknowledge his existence, but gossip travels quickly in the community. This means that after Edward saw his creator die in front of him, he didn't call an ambulance or a morgue to get rid of the body (dialing the phone would have been tough).
Instead, Edward likely let his creator decompose in the mansion while he puttered around on the property.
One of the most disturbing parts in Edward Scissorhands is that the inventor decides to give his living creation scissors for hands. Sure, it looks cool, but he basically forces Edward to be an outsider from the beginning.
When he ultimately makes real hands for Edward, it's tragically too late.
When Joyce gets her hair cut by Edward, she describes it as "the single most thrilling experience" of her life. As Edward slices through her hair, she cries with delight, possibly revealing a secret fascination with the limits of existence or pain.
With every snip, she almost catches a scissor to the face, and that's what she appears to like.