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The Funniest Death Scenes In Movie History

Updated January 22, 2021 4.9k votes 846 voters 41.1k views16 items

List RulesVote up the scenes that turned tragedy into great comedy.

Death is terrifying, ever-present, incredibly sad, always looming closer to us... and maybe a little bit funny? 

Thinking about death is a very tense experience, which is why we all should be grateful for the incredibly funny movie deaths that have graced our screens and broken that tension, if just for a moment. The more seriously something is taken, the funnier it is to take shots at it. To look into the abyss coming for all of us, then laugh because someone met that abyss by getting swallowed by a T. rex while sitting on a toilet seat. That's a beautiful human experience.

If you think death is something never to be joked about, that's a perfectly valid (and wrong) opinion to hold. Maybe you could read a list of unfunny death scenes. If only there were a way to change your mind, though. All that immediately comes to mind is this list of the funniest movie deaths in cinematic history. Watch, enjoy, contemplate your own mortality, and vote up the scenes that make you giggle in the face of that darn abyss.

  • Humans all seem to have an innate belief that our lives, and thus our deaths, have some sort of meaning. Even in the language of film, we've grown accustomed to the fact that if we know a character's name, if we've heard them speak, their death will hold some measure of gravitas. 

    That's why it's so brilliantly funny when Vincent Vega (John Travolta) accidentally blows Marvin's head off in the middle of a casual conversation. The deadpan delivery of "I shot Marvin in the face" only adds to the comedic contrast of the moment. A man has perished, a mother has lost her son, yet Vincent and Jules (Samuel L. Jackson) discuss this in the same tone they discussed cheeseburgers at the beginning of the film. 

    It's... well, it's hilarious. Is that okay to admit? Who knows, but the important thing is that this scene is funny.

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  • Bill Murray's sudden appearance and demise in Zombieland is a stroke of genius. Despite the obvious fantasizing of taking over a celebrity's mansion in the event of an extinction-level scenario, no zombie movie had ever really explored this dynamic before. There's something inherently fascinating about being a celebrity in a post-celebrity, post-apocalyptic world, and honestly, that could be a movie in itself. 

    Murray's demise once again uses the contrast of "this is a movie, of course, they're going to be okay" with the stark reality of "oh, no, they are absolutely not okay." Murray is convinced to pull a prank on Columbus (Jesse Eisenberg) by Tallahassee (Woody Harrelson) and Wichita (Emma Stone), who both assure him it's going to be hilarious because Columbus is like "a little bunny." Naturally, when Murray enters the room dressed like a zombie, Columbus blows a hole through his chest with a shotgun.

    Luckily, Murray's passing isn't quite as immediate, and he deadpans through some hilarious lines before drifting away.

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  • The Other Guys sets up Samuel L. Jackson and Dwayne Johnson as two of the biggest bad*sses to ever live. Like the great action heroes who have come before them, these two seemed invincible. That's why when they leap off a skyscraper in pursuit of a group of high-tech bad guys, the audience is positive they'll land on some sort of awning and keep up the chase - and that's also why it's so uproariously funny when they instead simply smack into the ground, lifeless.

    Never in recorded history has there been a more abrupt, or funnier, transition to a funeral. And on a side note - what bush were they aiming for in the first place?

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  • A summer's day. Four friends are frolicking together across New York City. Among them, there isn't a single care, or college credit, to be found. It's a classic afternoon hang; they run, they play, they splash each other with gasoline, they light up a cigarette, and they blow up an entire gas station

    Zoolander is a cartoonish film that abides by cartoonish logic. It's the only type of world in which four adult men would even think having a gasoline fight was a good idea in the first place. So when that cartoonish logic is suddenly switched off, and their actions have actual consequences that lead to their incredibly abrupt demise, it's one of the funniest moments in the entire film.

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