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Little Details In Horror Movies That Should’ve Made The Endings Obvious

Updated October 9, 2020 7.1k votes 1.4k voters 149.4k views12 items

List RulesVote up the horror movie endings we should have seen coming.

Horror movies simply love to sprinkle in foreshadowing, especially when there is a twist ending. The goal is to paint a complete portrait with little details that can only really be seen upon a second viewing of the film. Often, however, this technique is botched and the ending is telegraphed to the audience in advance. This list encapsulates some of the most obvious examples and moments where the savvy audience member can see the ending a mile away. We love these moments because, let's be honest, it feels great to turn to your friend at the end of the film and say, "I called it!"

Spoilers will abound in this list. We are literally giving away horror movie endings. If you haven't seen one of these films and don't want it ruined, skip that one. With that warning aside, let's get to it.

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  • A few soldiers getting snacks before going on leave is pretty inconspicuous. A military police officer coming over and ordering them back to base as a siren blairs in the distance is a bit suspicious. One man turning and saying, "Another half an hour and we would have been gone," just reeks of knowing what is going down. As it turns out, these men know exactly what is going down. And it isn't good.

    We find out later that all the horror in The Mist is the result of a top-secret experiment called Project Arrowhead, which went horribly wrong. Apparently, the experiment opened a portal to another dimension. If Stranger Things has taught us anything, it's that other dimensions are invariably filled with horrible nightmare creatures that want to slay all humans.

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  • At the time, Adelaide's (Lupita Nyong'o) inability to speak is written off as post-traumatic stress disorder caused by meeting her doppelganger. That is believable enough, until we are introduced to Red (also Lupita Nyong'o). Red, you see, can speak. In fact, she is the only Tethered who can speak. So here we have a "regular" person who has trouble speaking, whose Tethered actually can speak, with no further explanation given. Around an hour later we find out that, surprise, they switched places as children that fateful night at the carnival. No, movie, we are not surprised.

    What is also interesting is that the movie essentially creates a gaping plothole in its attempt to misdirect the audience away from this twist. That is, Red doesn't seem to remember that she was once a surface-dweller. At the very least, she goes to great lengths in her villain monologue to explain the inner workings of the underground to a person who actually used to live there. There are certainly reasons why Red could have forgotten (or repressed) her past, but the movie leaves that for the audience to fill in.

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  • As soon as those words leave his lips, you just know Chris (Daniel Kaluuya) has jinxed himself. You are pretty much just waiting for the double-barrel to appear at that point, and it does not disappoint. In a poetic inversion of the soft sensual imagery of the opening scene, we end with Chris facing off against Rose (Allison Williams) as she's holding the device. This is far from the only bit of foreshadowing planted in the movie, though.

    Get Out is a film that scatters breadcrumbs throughout in order to lead the audience toward a satisfying climax. Little details, from Dean's (Bradley Whitford) hatred of deer to Jeremy's (Caleb Landry Jones) inquiries on MMA fighting, come together in the last act.

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  • The joke is that, at the end, it is Laurie (Anna Paquin) who turns out to be a wolf in human clothing. As an added bonus, the little boy (Quinn Lord) who is seen trying to spy on the girls while they are dressing is himself dressed as - you guessed it - a wolf.

    People don't usually expect werewolves to show up in a Halloween anthology, but if you ever had reason to suspect them, here it is.

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