A Timeline Of How 'Friday The 13th' Went Completely Off The Rails

Saying the Friday the 13th franchise changed horror cinema is an understatement. Before the Jason movies, no other horror series built itself around a single character. But while every Friday the 13th installment made money, the history of the series is a mess. There’s no continuity, the entries vary in tone, and the filmmakers couldn't agree on a set formula to make the movies enjoyable.

As the franchise continued, the films essentially marked the passage of time: another year, another installment. And while directors of later films in the series felt they could tell a unique story within the established outlines, tracing the missteps along the trail of Camp Crystal Lake shows how good ideas end up spoiled without proper oversight.

Photo: Paramount

  • Sean Cunningham Came Up With The Title Before The Actual Concept

    In true Hollywood producer form, Sean Cunningham thought of Friday the 13th's title and marketing before he formulated the film's concept. In 2015, he told Esquire that the title came to him in a meeting for a ripoff of The Bad News Bears. When he thought of Friday the 13th, he knew the title would sell. 

    Cunningham didn't immediately reach out to Victor Miller to begin working on a story. Instead, he mocked up a one-sheet for the nonexistent film and started advertising. The producer assumed someone else owned the title, but when he never heard back from a lawyer with a cease-and-desist order, he decided to move forward with the picture. 

  • The First Film Was Reverse-Engineered From 'Halloween'

    To come up with a story for the film, the producers reverse-engineered the most popular horror films of the day: Halloween and Carrie. In 2009, screenwriter Victor Miller explained:

    Basically, you start with a prior evil that happens before the movie opens. You have a bunch of randy teenagers who are outside the help of formal authority. Adults cannot come to save their asses. And you knock them off one by one. Especially the ones who fornicate. And at the end, the evil genius is found.

    Miller also remembers producer Sean Cunningham calling to suggest they "rip off" Halloween, and notes the final jump scare of the film is "as close as I could steal from Carrie without being arrested."

    If you're baffled by how Friday the 13th worked after being cobbled together from more inventive films, you're not alone. Cunningham said, "The movie has no emotional impact on me at all. The characters were thin at best." 

  • There Was Never A Plan For A Sequel

    Friday the 13th was envisioned as a one-and-done, cheap horror movie. When it made $59.8 million on a half a million dollar budget, however, plans changed. Sean Cunningham, producer and director of the initial film, told Esquire that "it's dopey" to think about sequels when you're working on the first film.

    Cunningham continued, "The audience doesn't care about a promise of more to come. The audience just wants to have a good time." This from the guy who helped produce multiple sequels to his original movie, along with two reboots and a video game.  

  • By Making Jason The Killer, The Movies Lost Their Emotional Weight

    While Jason became the iconic face of the Friday the 13th franchise, his mother, Pamela Voorhees, was the original killer, seeking payback on the Crystal Lake counselors she believed killed her son. Bringing Jason back to life and making him the antagonist of the series undoes all of the pathos his mother earned in the original film's ending.

    Even producer Sean Cunningham thinks Jason's return didn't make sense. In the retrospective documentary Crystal Lake Memories, Cunningham said:

    Having Jason come up out of the lake was a device. It was justifiable, but it wasn't meant to be the beginning of a story... I just didn't get it. Friday the 13th was reality-based. When you added Jason as a machete-wielding character, you're shifting to a mythological base.

  • When It Came Time For The Sequels, No One Cared About Continuity

    At the end of Friday the 13th, Pamela Voorhees gets beheaded and Camp Crystal Lake is safe, before the corpse of Jason pops out of the water as a child skeleton in what's arguably a dream sequence. But when a sequel received the go-ahead, no one who worked on the original film knew how to make a follow-up. Even Tom Savini, the groundbreaking makeup artist behind the first movie, thought a sequel wouldn't work. 

    "For Jason to be around today means what? He survived by living off of the crawfish on the side of the lake? For 35 years? Nobody saw this kid walking around and growing up?"

    Steve Miner, an associate producer on the original film and director of the sequel, saw the potential in following the film's dream logic. The worry about continuity went out the window following the second movie, as each new writer and director brought in their own ideas about Jason.

  • The Cast Was An Afterthought In 'Friday The 13th Part 3: 3D'

    There's an invisible demarcation between the first two Friday the 13th movies and the rest of the series. Despite the lack of continuity between the original films, they each tell an engrossing story; one's a mystery and the other is a slasher. The third film, Friday the 13th Part 3: 3D, shows the wheels coming off the series.

    Screenwriter Petru Popescu described the audition process for the film's actors:

    I went to some of the casting sessions and I saw that there were boys and girls who gave good readings and those who gave bad readings, but it didn't matter. They were hired for their look, not for how they said the words.