The Best Maria Bonnevie Movies

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Updated June 11, 2019
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List of the best Maria Bonnevie movies, ranked best to worst with movie trailers when available. Maria Bonnevie's highest grossing movies have received a lot of accolades over the years, earning millions upon millions around the world. The order of these top Maria Bonnevie movies is decided by how many votes they receive, so only highly rated Maria Bonnevie movies will be at the top of the list. Maria Bonnevie has been in a lot of films, so people often debate each other over what the greatest Maria Bonnevie movie of all time is. If you and a friend are arguing about this then use this list of the most entertaining Maria Bonnevie films to end the squabble once and for all.

If you think the best Maria Bonnevie role isn't at the top, then upvote it so it has the chance to become number one. The greatest Maria Bonnevie performances didn't necessarily come from the best movies, but in most cases they go hand in hand.

Belle du Seigneur and I Am Dina are included in this list.

"This list answers the questions, "What are the best Maria Bonnevie movies?" and "What are the greatest Maria Bonnevie roles of all time?"
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  • Belle du Seigneur
    1

    Belle du Seigneur

    Jonathan Rhys Meyers, Natalia Vodianova, Maria Bonnevie
    6 votes
    • Released: 2012
    • Directed by: Glenio Bonder
    Belle du Seigneur is a film directed by Glenio Bonder slated for release on 2012.
  • I Am Dina
    2

    I Am Dina

    Maria Bonnevie, Gérard Depardieu, Christopher Eccleston
    5 votes
    • Released: 2002
    • Directed by: Ole Bornedal
    A feisty woman (Maria Bonnevie) retains an uneasy relationship with her father while rebelling against her older husband (Gérard Depardieu).

    Available On:

    free

  • Insomnia
    3

    Insomnia

    Stellan Skarsgård, Maria Bonnevie, Sverre Anker Ousdal
    3 votes
    • Released: 1997
    • Directed by: Erik Skjoldbjærg
    Insomnia is a 1997 Norwegian thriller film about a police detective investigating a murder in a town located above the Arctic Circle. The investigation goes horribly wrong when he mistakenly shoots his partner and subsequently attempts to cover up his bungle. The title of the film refers to his inability to sleep, the result of his guilt. Insomnia was the film debut of director Erik Skjoldbjærg. The screenplay was written by Nikolaj Frobenius and Skjoldbjærg, and the soundtrack by Geir Jenssen. The film inspired a 2002 Hollywood remake in English.

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  • Reconstruction
    4

    Reconstruction

    Nikolaj Lie Kaas, Maria Bonnevie, Krister Henriksson
    3 votes
    • Released: 2003
    • Directed by: Christoffer Boe
    A photographer named Alex (Nikolaj Lie Kaas) leaves his girlfriend one night to pursue an alluring stranger. Soon Alex and the stranger, Aimee (Maria Bonnevie), begin a turbulent love affair. When Alex attempts to return to his old life, he finds it has literally vanished. His former girlfriend no longer recognizes him, and his apartment doesn't exist. When Alex realizes he is part of a literary fantasy beyond his control, he has no choice but to discard his past life and embrace the future.
  • Engelen
    5

    Engelen

    Lena Endre, Maria Bonnevie, Börje Ahlstedt
    4 votes
    • Released: 2009
    • Directed by: Margreth Olin
    Angel is a 2009 Norwegian drama film directed by Margreth Olin. The film was selected as the Norwegian entry for the Best Foreign Language Film at the 83rd Academy Awards but it didn't make the final shortlist.
  • Reconstruction
    6

    Reconstruction

    Maria Bonnevie
    1 votes
    • Released: 2001
    Reconstruction is a 2001 documentary made by Irene Lusztig that investigates the Ioanid Gang bank heist committed in 1959 in Communist Romania. The film focuses on Monica Sevianu, Lusztig's grandmother, and the only female involved in the heist. The documentary gets its name from a propaganda film that was made by the Romanian government three years after the robbery was committed. The original Reconstruction was a strange blend of documentary and fiction, where the criminals played themselves in a crime-film whose plot was driven by clues that self-congratulatory detectives pieced together. The propaganda film was only screened to journalists and high ranking communist officials before being buried beneath government files. Lusztig managed to find a copy and incorporates clips into her documentary.