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rock Micah Carli's Top 10 Eye-Opening Guitar Solos  

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The lead guitarist of Hawthorne Heights, Micah Carli, has made a list of the most eye-opening guitar solos of all time. Some of these riffs and solos might not go down in history on every list of the greatest guitar solos ever, but all of these solos were game-changers for some reason or another. To listen to Micah's work and/or to buy their new CD "Skeletons", please click on the link to the right that says "Skeletons".

Heartbreaker - Led Zeppelin

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Video: YouTube

[Solo starts at 2:03 into the video to the left]

This one still gets me every time....I love how the song comes to a screeching halt and they essentially use a crowbar to force in this section a COMPLETELY different feeling.

A stand alone guitar solo that begins in a minimalist, sputtering way and reaches a chaotic (and might I add wonderfully sloppy) crescendo before gracefully segueing back into the song.

Everything about this is perfect; the guitar tone, the messy performance, the feeling... it's one of my favorite solos of all time.

Voodoo Child (Slight Return) - Jimi Hendrix

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Video: YouTube

[Live version of this song embedded]

This song isn't confined to just a single solo in the bridge. More accurately it's a five minute solo interrupted occasionally by vocals.

What amazes me about this song / guitar solo is the attitude of the performance. I've never heard anything so damn tough before. The song is so simple and yet exudes such a badass demeanor.

The guitar tone periodically fluctuates between a dirty clean and this fuzzed out, bitey sound that makes it almost seem like somewhere in his guitar rig, something is actually on fire.

Sleepwalk - Santo & Johnny

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Video: YouTube

I'm sure everyone has heard this song before, but you might not know it by name or, even less likely, who it's by.

However, this song has always captivated me. The soothing yet eerie feeling of this guitar solo always puts me in a trance like a charmed snake. It's almost haunting. I'm enamored with everything about it; I love the timbre of the guitar, the way it breaks up on the louder notes, the legato feel as he drags the notes a little behind the beat.

It's a great example of using negative space as well. You could easily "Solo" this part up some more and play a bunch of extra notes unnecessarily fast but the use of notes so sparingly can sometimes, as it does here, speak volumes.

Bulls on Parade - Rage Against the Machine

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Video: YouTube

[Solo starts at about 2:30]

I distinctly remember my reaction to this song / solo when if first came out. I was already a fan of Rage so it wasn't a total shock to the system, but the fact of someone was using a guitar to get these sounds just blew my mind.

I love the flagrant disregard for standards and protocol. Tom Morello showed me and many others that there are still many radically different ways to play a very old instrument.