Michelangelo was more than a sculptor and painter—he also used his platform to display his admiration of men in an era that did not look fondly on any form of non-heterosexual physical or romantic relationships. When he painted the Sistine Chapel, Michelangelo used the muscular bodies of working Romans he met in the bathhouses as his models, transforming one of the holiest chapels in Catholicism into an altar to the male nude form. These Michelangelo facts show that the artist's genius was linked to his sexuality, which he refused to hide.
Despite of all his visits to the bath house, Michelangelo reportedly never bathed. Instead, he used the experience to study naked men, just like he traded art for corpses to learn more about anatomy. Other Michelangelo inspirations include a 20-something nobleman who a 50-something Michelangelo wooed with love poems, as well as male sex workers and young apprentices who appeared in Michelangelo's art as Biblical heroes. Michelangelo's entire career celebrated the male form, even in the heart of the Catholic Church.
He Painted Subversive Messages About Homosexuality In The Church's Holiest Chapel
When the pope asked Michelangelo to paint the Last Judgment in the Sistine Chapel, he may have expected something like the ceiling's art, which told the story of Genesis in vibrant colors. But Michelangelo produced something much more subversive. According to Elena Lazzarini, the artist based the muscular figures on men Michelangelo met in the Roman bathhouses.
By the time Michelangelo painted the monumental fresco, rumors already swirled about his own sexuality. The artist took a clear stance on the salvation of gay men by painting embraces and kisses in heaven between nude men. As Lazzarini argues, these images were "undoubtedly homosexual in nature."
He Wrote Love Poetry To Men, But His Family Hid It
Michelangelo wrote dozens of love poems to men, but for years no one was aware of their true subjects. Michelangelo's grandnephew carefully edited the artist's writing after his death to obscure his dedications to men. In a 1623 published edition of Michelangelo's poetry, the grandnephew changed all the masculine pronouns to feminine pronouns. For over 250 years, no one realized the love poems were actually addressed to men.
He Intentionally Put A Basket Of Male Members In The Sistine Chapel
When he designed the Sistine Chapel, Michelangelo added 20 nude men who weren't at all related to Christian iconography. They were apparently Michelangelo's way of adding scandalous images to his monumental fresco. The basket next to one of the ignudi, or decorative nude figure, tells the story. While the contents are meant to represent acorns, the symbol of Pope Julius II's family, Michelangelo painted them to resemble male genitalia. As Rictor Norton argues, the images look like penises, representing the Tuscan slang testa di cazzo, which means "prickhead."
He Modeled His Art On Male Sex Workers
Where did Michelangelo see the divine male bodies that inspired his nudes? According to Elena Lazzarini, Michelangelo visited stufe, or "stew houses," to watch naked men. Stew houses offered opportunities to take a dip in a public bath or receive a massage, but they also included secluded rooms where visitors could hire male or female sex workers. Michelangelo reportedly used his visits to the stew house not to bathe, but to learn more about the male form.