Movies That Make You Say 'What?' When They Suddenly Cut To End Credits

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Vote up the movies that surprised you when the credits suddenly rolled.

Often, a film feels like a speeding freight train filled with rapidly developing characters and plot threads. When it stops on a dime, answers aren’t always provided in the way that we expect. 

There are films that abruptly or otherwise unexpectedly cut to black or a freeze-frame with closing music. We see this in films like Inception, when we are left uncertain about the nature of reality, or in Butch Cassidy and the Sundance Kid, when the protagonists’ fates remain a mystery. 

Confusing movie endings aren't necessarily good or bad. The most ambiguous movie endings of all time have left fans wanting more, while some classic films are great despite their lackluster conclusions. For better or worse, the following films left viewers asking, “What?” 

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  • 1
    182 VOTES

    John Carpenter's The Thing takes place in an arctic research facility that is terrorized by an alien or, "the thing." The thing can imitate and assimilate other organisms, making it virtually unstoppable. The movie is famous for its ambiguous ending, which occurs after the film's protagonist, MacReady destroys the station and stumbles outside with what appears to be a bottle of scotch. Childs, a mechanic on the station who supposedly survived the events of the film, returns claiming he was looking for Dr. Blair. Both men are suspicious of the other. 

    MacReady suggests that they should just wait around and see what happens, and smiles. The men are almost certainly doomed, but which, if either, is a thing?

    Fans theorize to this day which of the two men is infected. MacReady could have put gasoline in the bottle he offers to Childs, as a test. Or perhaps he smiles because he - or both of them - is the thing.

    • Actors: Kurt Russell, Wilford Brimley, T.K. Carter, Richard Dysart, Richard Masur
    • Released: 1982
    • Directed by: John Carpenter

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  • At first glance, the Coen brothers' adaptation of Cormac McCarthy’s novel No Country for Old Men is a thriller. Hunter Llewelyn Moss comes across a cartel deal gone south and decides to go on the run with the money. This decision puts the cartel hitman Anton Chigurh and Sheriff Tom Bell hot on his tail. As fans of McCarthy’s novel and the Coen brothers know, the plot isn’t as essential as what lies beneath. 

    No Country for Old Men laments the nature of mortality and fate. Much in the same way that Moss comes to an unexpected end, so does the film. Chigurh isn’t defeated, caught, or even eluded; instead, the character appears to embody a debt-collecting grim reaper - as impartial as a coin toss. 

    Bell doesn’t do much of anything to change the outcome of Moss and Chigurh’s conflict. In the end, a retired Bell discusses two dreams he's had, both about his father. All he remembers about the first dream is that he met his father in town to receive some money (that he thinks he lost). In the second one, him and his father are on horseback in “older times.” His father rides ahead into the darkness without saying a word. Bell loses track of his father but assumes he is fixing a fire, one that will warm them both. Then he wakes up.

    The End. 

    Depending on how you look at it, those two dreams are the story’s message: fortune is foggy and unclear while the end is certain. The first time you saw that ending you most certainly said, “What?” The second time, you pondered its possibilities. 

    • Actors: Tommy Lee Jones, Javier Bardem, Josh Brolin, Woody Harrelson, Kelly Macdonald
    • Released: 2007
    • Directed by: Joel Coen, Ethan Coen

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  • Daniel Myrick and Eduardo Sanchez’s low budget independent film, The Blair Witch Project, made waves in 1999. Using the internet as a marketing tool, the “found footage” documentary-style "project" freaked everyone out - and a lot of fans thought it was real. Myrick and Sanchez's well-crafted backstory has left fans guessing at The Blair Witch Project's ending for years.  

    Film students Mike, Heather, and Josh investigate the Burkittsville forest, rumored to be haunted by a witch. Their footage, supposedly found after the trio disappeared, shows them experiencing all sorts of trippy stuff. Josh disappears shortly before Mike and Heather are led to the house of Rustin Parr, which supposedly burnt down in 1941, but is then heard screaming.

    The two enter the house. Mike rushes upstairs to find Josh, only to drop the camera when he is attacked. Heather then finds the camera, picks it up, and goes downstairs. She finds Mike facing the corner, then screams and drops the camera. 

    The End.   

    Who went after them? A possessed Josh? The Blair Witch? Are they in a time loop? These are the questions that viewers have pondered for years.  

    • Actors: Heather Donahue, Michael C. Williams, Joshua Leonard, Bob Griffith, Jim King
    • Released: 1999
    • Directed by: Daniel Myrick, Eduardo Sánchez

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  • As its title suggests, Guy Ritchie’s Lock, Stock and Two Smoking Barrels revolves around a pair of shotguns. The pieces in question happen to be antiques worth more than £250,000, and gangster Harry Lonsdale aims to steal them. Harry and his enforcer hire a pair of incompetent thieves to take the antiques, setting off a chain of quirky British carnage. 

    On the other side of the spectrum is the story of Eddy, Tom, Soap, and Bacon. Eddy buys into one of Harry’s high stakes (and rigged) card games, only to lose and be indebted to Harry for £500,000. The fate of these characters becomes intertwined with that of Harry, his thugs, and the two shotguns.

    Unfortunately for Harry, he does not survive the events of Lock, Stock and Two Smoking Barrels. Fortunately for the friends indebted to Harry, they are able to walk away with those very expensive antiques, and as free men. The film ends with the men back at the bar after telling Tom to dispose of the shotguns - the only evidence linking them to the events of the film. However, shortly after Tom leaves, the group realizes their worth, and frantically tries to call him.

    The last thing we see is Tom hanging over the side of a bridge with his phone ringing as he prepares to dump the antiques in the river. Does he pick up his phone before or after carrying out his task? We'll never know for sure.

    • Actors: Jason Flemyng, Dexter Fletcher, Nick Moran, Jason Statham, Steven Mackintosh
    • Released: 1998
    • Directed by: Guy Ritchie
  • After having a falling out with their crew, Butch Cassidy and his trusted companion, the “Sundance Kid,” go to Bolivia. Fearing a life of crime may end their lives, the outlaws eventually go legit and begin working as payroll guards. After being ambushed by local bandits, whom they slay, they return to their previously lawless ways.

    By the end of the film, the pair are cornered by Bolivian soldiers in a small town. Badly wounded and outnumbered, Butch suggests that their next destination should be Australia. The film’s closing seconds see Butch and Sundance charge out of cover, guns blazing before freezing frame, leaving their fate uncertain.

    Ultimately, whether or not the outlaws survive isn't as important as the way they decide to "go out." The semi-ambiguous ending only adds to the film's reputation as one of the greatest Westerns of all time.  

    • Actors: Paul Newman, Robert Redford, Katharine Ross, Strother Martin, Henry Jones
    • Released: 1969
    • Directed by: George Roy Hill

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  • 6
    74 VOTES
    The Lobster
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    Yorgos Lanthimos’ absurdist dystopian film The Lobster deconstructs what it means to be in a relationship. The society in this film has strict guidelines single people must follow: find a mate within 45 days or be transformed into an animal of your choosing. These lonely people must go to a hotel where they attempt to be paired up. 

    A group called the loners live in the woods and reject the idea of being paired up. David, the film’s protagonist, escapes the hotel to go live with these loners, but during this time he falls in love with a fellow loner who, like him, is short-sighted. The couple hides their relationship from other members of the group and plan to run away together. However, David’s lover reveals their plans to her leader and is subsequently blinded, eradicating the couple’s sameness - a prerequisite for becoming a couple in this world. 

    At the end of the film, David goes into a bathroom with a steak knife, intending to blind himself. Before actually doing it, David hesitates and the movie ends. When the credits roll we hear the sound of the sea - something David loves and one of the reasons a lobster was the animal of his choosing. 

    Does David blind himself or does he abandon his lover and ultimately become the lobster of the title? It remains an open debate among the film's fans.

    • Actors: Colin Farrell, Rachel Weisz, Léa Seydoux, John C. Reilly, Olivia Colman
    • Released: 2015
    • Directed by: Yorgos Lanthimos

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