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Movies That Completely Changed Their Endings After Everyone Freaked Out

Updated September 9, 2020 12.4k votes 2.7k voters 334.1k views16 items

List RulesVote up the movies that should have stuck with the original ending.

Many films go through a testing process where audiences are shown a rough cut and then asked to give feedback. Depending on what viewers say, the filmmakers might make alterations, especially if there's an element those audiences are strongly critical of. That can include the big finale.

Quite a few blockbusters, and even classics, received extreme adjustments because test audiences had intensely negative reactions to the way filmmakers wrapped up the plot. In some cases, the originally conceived endings made sense from a narrative or thematic point of view, yet viewers left without the catharsis they desperately wanted. Other times, the endings were just poorly conceived, and it took an audience to point it out. Regardless of the reason, one could reasonably argue these movies were helped by audience input.

You might be surprised by some of the movies that changed endings. A few, like Fatal Attraction, provide well-known examples, yet others - such as The Shawshank Redemption and Election - have not had their story publicized as much. In each of the following examples, we'll break down what was in the original finale and what freaked everyone out so much that it had to be altered.

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  • Pretty in Pink's ending change radically shifted the story's entire message. As fans know, the movie finds rich kid Blane (Andrew McCarthy) succumbing to peer pressure and backing out of an agreement to take working-class Andie (Molly Ringwald) to the prom. In the original version, she goes with Duckie (Jon Cryer) instead, and the movie ends with the implication that they get together romantically. Writer/producer John Hughes intended to deliver a commentary on social class and how hard it is to cross those lines.

    Audiences weren't feeling that idea, though. According to director Howard Deutch, "The girls in the test screening didn’t go for that. They didn’t care about the politics; they wanted her to get the cute boy. And that was it. So we had to reshoot the ending."

    Aside from having to devise a new finale that satisfied the target audience's desire, there were some logistical issues the filmmakers had to tackle. McCarthy, who had cut his hair for another role, famously wore a bad wig for the reshoots. There was also the matter of Pretty in Pink's theme song. The band Orchestral Manoeuvres in the Dark recorded a song called "Goddess of Love" to play over the credits. With the new ending, they had only one day to write and record a different song more suited to the Andie/Blane relationship. "If You Leave" ended up becoming OMD's biggest hit, while "Goddess of Love" was included on their album The Pacific Age.

    • Actors: James Spader, Gina Gershon, Molly Ringwald, Kristy Swanson, Andrew Dice Clay
    • Released: 1986
    • Directed by: Howard Deutch
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  • Fatal Attraction faced an interesting dilemma: Should the movie stay true to its own story, or give the audience what they want? The thriller about a man whose mistress becomes dangerously possessive initially ended with Alex (Glenn Close) taking her own life, after making sure Dan's (Michael Douglas) fingerprints are all over it, essentially framing him. That finale was perfectly in line with the tone and themes of the plot. The only problem: Test audiences resented it.

    Studio executive Ned Tanen told the filmmakers that viewers wanted to see them "terminate the b*tch with extreme prejudice." Director Adrian Lyne balked at shooting a new ending in which Dan tries to drown Alex in a bathtub, and then his wife, Beth (Anne Archer), shoots her, so Tanen offered him an extra $1.5 million to do it. Lyne jumped on board, as did star Douglas. Close, on the other hand, resisted fiercely. The actress said, "I fought it for two weeks. It was going to make a character I loved into a [bloodthirsty] psychopath. My friend William Hurt said, 'You've fought your battle, now be a team player.' So I shot it."

    Critic Roger Ebert concurred with Close's distaste in his review of the film, writing:

    What's the matter here? Do [the producers] lack the courage to follow their convictions through to the end? They seem to have a knack for finding thoughtful, sensitive screenplays about interesting adults and then adding gruesome Hollywood horror formulas to them. Fatal Attraction clearly had the potential to be an Oscar contender. I walked out feeling cheated and betrayed.

    Critics notwithstanding, Fatal Attraction was a huge hit, becoming the highest-grossing film of 1987.

    The original ending has been included as a bonus feature in various DVD/Blu-ray releases of the film.

    • Actors: Glenn Close, Michael Douglas, Jane Krakowski, Anne Archer, Fred Gwynne
    • Released: 1987
    • Directed by: Adrian Lyne
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  • The film adaptation of the smash Broadway musical Little Shop of Horrors has one of the most significantly changed endings in cinematic history. As it stands, the story ends with hero Seymour (Rick Moranis) defeating the giant evil plant Audrey II. It's a massive deviation from the stage version, in which the plant eats Seymour and his girlfriend, Audrey (Ellen Greene), then goes on to devastate the world beyond Mushnik's Flower Shop.

    Originally, director Frank Oz intended to replicate that ending. He shot an elaborate special effects sequence that was 23 minutes long and cost $5 million. In it, Audrey II spawns a bunch of other man-eating plants, which then go on a rampage through New York City. Buildings are toppled, citizens flee in terror, and Seymour and Audrey are consumed. The plant smashes through a movie screen in the final shot, indicating that it's coming to eat the viewer, as well.

    Little Shop played like gangbusters during test screenings, until that ending. Audiences wouldn't accept seeing the two leads expire. As Oz told The AV Club, "We [offed] our leads and the audience hated us for it. They loved those leads, because in a stage play, you [slay] the leads and they come out for a bow - in a movie, they don't come out for a bow, they're [gone]. And the audience loved those people, and they hated us for it. It got very, very, very exceedingly low scores as a result, so we had no choice but to reshoot it."

    A new, happier ending was shot. The original ending, which is quite magnificent, later became a bonus feature on the Blu-ray release.

    • Actors: Bill Murray, Steve Martin, John Candy, Rick Moranis, Jim Belushi
    • Released: 1986
    • Directed by: Frank Oz
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  • You wouldn't think Pride & Prejudice would need an alternate ending, given that it's based on the well-known Jane Austen novel. Nevertheless, there was a pretty big difference in how it ended, depending on what part of the world you lived in when it was initially released. The British version ended with Elizabeth's father (Donald Sutherland) giving Mr. Darcy (Matthew Macfadyen) permission to marry his daughter, then indicating he'd be willing to marry off his other daughters, as well, should they find appropriate suitors.

    When the movie was tested for American audiences, director Joe Wright reinstated an ending that British test audiences roundly rejected. It featured Elizabeth (Keira Knightley) and Darcy kissing and caressing one another in the moonlight. They went wild for it, so the more overtly romantic ending went into theaters here.

    Not everyone approved of that change. Elsa Solender, a member and former president of the Jane Austen Society of North America, said the mushy ending "has nothing at all of Jane Austen in it, is inconsistent with the first two-thirds of the film" and "insults the audience with its banality."

    • Actors: Laurence Olivier, Greer Garson, Maureen O'Sullivan, Ann Rutherford, Edna May Oliver
    • Released: 1940
    • Directed by: Robert Z. Leonard
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