Sci-fi and occult dramas became so pervasive in the wake of Buffy's success they're not even a guilty pleasure anymore, just mainstream entertainment with a nerd slant. Whether you tune in to paranormal thrillers like Lucifer, Grimm, or Sleepy Hollow, or are doing your annual marathon of favorite DVD box sets like Buffy, Angel, or Charmed, you'll notice there are things every supernatural show does, points at which the narrative gets predictable. As loveable as the genre is, it's filled repetitive themes in need of a switch-up. Here you'll find a host of tropes that are way overused in sci-fi and fantasy. Dear show runners, like, seriously, as fans, not haters, can we stop using these tropes now?
Unlike deathfests such as The Walking Dead or Game of Thrones, supernatural dramas don't traffic in the veneration of cruelty. Fans of the likes of Heroes aren't subjected to a litany of favorite-character deaths or forced into situations in which heavy choices must be made, at least not until the end of the show's run. It’s a genre you can consider safe, the fans of which viewers get their jollies without being emotionally destroyed. That said, your patience might be shredded; the genre is plagued with tropes that just won't die.
Ah, but, counter argument: tropes are (perhaps a very large) part of why audiences love these shows. The comfort of the familiar, the epic journey of the hero, the satisfaction of seeing obstacles overcome and lessons learned. Don't forget to add your favorite trope in the comments below, if it didn't make its way on here.
It’s common sense the fate of the world is at stake when battling the forces of ultimate evil. As it is in anime, so it is in supernatural drama: when the big bad menace is taken down, another one rears its head, threatening Earth, the universe, existence, whatever. Buffy the Vampire Slayer was the first to utilize this pattern flagrantly,while poking fun at itself in the episode “Doom.”
Since Buffy, countless supernatural dramas have followed suit. After defeating Yellow Eyes, The Winchester Bros of Supernatural face a new world threat each season, be they forces of Hell, Heaven, or Purgatory. Or even God’s sister. Sure, why not? Sleepy Hollow has unabashedly jumped into the fray, as The Witnesses faces enemies bent on bringing about the apocalypse with each new season. This trope has also bled into movies. Looking at you, Marvel.
Going to the dark side is a fun (or perhaps played out) way to explore shades of familiar characters while taking a show in unexpected directions. Of course, it's such a trope. nothing about this ploy is unexpected. Supernatural dramas milk the idea so hard it can consume an entire season. Whether it's via possession, a curse, a traumatic incident, or a falling out with the gang, someone eventually goes full Vader.
Shall we count (just some of) the ways in which this went down?
- Buffy's Willow transformed into Dark Willow following the murder of her girlfriend, and her downward spiral was an obvious exploration of drug abuse as a means of coping with tragedy.
- Sleepy Hollow's Frank Irving came under possession by the Horseman of War after being tricked into a contract.
- Phoebe Halliwell from Charmed joined up with demons following her engagement to Cole Turner.
- The Winchesters from Supernatural are often at odds with, or wary of, one another, thanks to incidents such as Dean succumbing to the Mark of Cain and Sam being possessed by Lucifer.
- On Angel, everyone at Angel Investigations is on constant red alert whenever Angel shows signs of reverting back to Angelus.
Whether characters are finding the source of an unexplained phenomenon or locating a final boss, they inevitably turn to a large paper map. Pins are placed or dots drawn on significant locations. The dots are connected and, totally coincidentally (or maybe not), a pentagram appears, in the center of which a final showdown or something equally as epic occurs.
This trope can be seen in its prime when Dean Winchester (Supernatural) connects unused railway lines to locate Yellow Eyes’s final destination. Halliwell Manor in Charmed is centered in a pentagram drawn from connecting five elemental locations. Angel from Buffy spin-off series Angel, drew the Eye of Fire on a map of Los Angeles, which helped find The Beast. Different iconography, same practice.
Be it an ancient artifact of foreign origin, a secret weapon, a set of car keys, or extinct ingredients key to concocting a powerful spell (that aren't actually extinct), objects necessary to a hero's task are always conveniently nearby. Whether they’re tucked away in a museum, pawned at an underground auction, buried in an occult shop, on Ebay, or coincidentally in the hero's hometown, which is located near an abandoned occult site, items of interest always seem to be right under the protagonist's nose.
Buffy from Buffy the Vampire Slayer found the Scythe, an ancient weapon embodying the essence of the Slayer, laying around underneath Caleb’s stronghold. Although, to be fair, it makes sense something it would turn up around the Hellmouth. Because Joss Whedon did a very good job of setting up the Hellmouth as the perfect excuse for any future plot point that might need fudging.
In Supernatural, a number of great artifacts are scattered throughout the world. Thanks to Castiel and Crowley’s teleportation skills, they might as well be available at the local Target.