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9 Reasons Arrow Is Going Seriously Downhill

List RulesVote up the points you agree with and vote down the points you disagree with.

The CW's Arrow was a cultural phenomenon when it burst onto the scene in 2012. It was the first comic book property to translate that Dark Knight, DC Comics grittiness to the small screen; it didn't hurt that the chiseled and brooding Stephen Amell was the face of it. Men and women, boys and girls, cats and dogs all flocked to it. And in its first couple seasons, there was real drama, real poignancy. 

Alas, the poignancy has faded into that darkness Oliver keeps yammering on about. Arrow has become stale. The network, showrunners, and writers have tried different tactics in the last few seasons to breathe new life into the show, but most have ironically missed the mark. Get it? Because Oliver never misses his mark? Whatever. Just read through these critiques of Arrow's current state and vote up those you agree with. If you're ready to move on to something new, maybe you'll find that magic again with our list of shows like Arrow.

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  • 1

    The New Team Was Utterly Slapped Together

    Photo: The CW

    A simple recap of events supports this argument:

    The Green Arrow has a couple run-ins on the street with Wild Dog before he deigns to let him try out for the team—totally not predictable or anything; Oliver then snags Artemis from a Wendy’s or something, and the two recruits go into training alongside Curtis, who is only just now proving himself to be anything but a liability, which begs the question of why he was ever allowed to go out into the field in the first place; the introduction and initiation of Ragman is actually handled okay (you’re welcome, Arrow), but Oliver goes on to berate the newbies repeatedly, telling them he only works alone, even as he continues to train them—cue Felicity’s frantic speech for the 50th time about how Oliver needs people, and BAM!, the new Team Arrow is born sans any discernible chemistry. And don’t even with Dinah Drake. Just. Don’t.

    Okay, fine: an Earth-2 doppelganger of Laurel shows up posing as the Black Canary; Oliver realizes he misses Laurel and decides they need to find a replacement; lo and behold, there’s a woman with the same powers nobody's heard of a few towns over; Team Arrow goes to recruit her and she puts up a totally-not-familiar fight about how she works alone and just wants revenge (she’s not a hero, she can't be saved!), but ultimately capitulates; fortunately, within an episode or two, her mania is quelled and she has unprecedentedly intimate, bestie-inducing moments with both John and Oliver—you know, the guy whose inability to let anyone in is the central tenet of the entire series—and she becomes an integral member of the team.

    Slapped. TOGETHER!

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  • 2

    Can Someone Develop These Characters, Please?

    Photo: The CW

    Arrow did something quite daring this season: They introduced new characters and decided not to tell us anything about them. Well, maybe not so much daring, as stupid. Evelyn and Rene seemingly came out of nowhere. Yes, Evelyn was technically introduced in Season 4. And yes, they were eventually given backstories. But Evelyn's was a ho-hum surprise-I'm-actually-bad-because-you-killed-my-parents, and Rene is just another soul tortured by his past. Yawn.

    Rory was actually the most defined. In fact, just when he was starting to prove himself to be the most human character, he left the show. Evelyn, on the other hand, was exceedingly forgettable, and Rene has always felt like a caricature. The writers tried to beef up Rene with out-of-nowhere flashbacks to his marriage, which may have worked if he even checked on his wife when she was shot. We know you were protecting your daughter, but damn, man! At least glance in the direction of your life partner when the gun goes off!

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  • 3

    Characters Acting Out Of Character

    Photo: The CW

    Arrow apparently doesn’t care to ingratiate us to the new characters, so they’re trying to recreate some of the existing ones. The only problem is it’s hard to buy. Thea has stepped away from Team Arrow because she fears the bloodlust—a self-explanatory side effect from her resurrection via the Lazarus Pit. She’s channeling that energy into politics instead, and is an astoundingly capable chief of staff for her brother, the mayor. When a scandal surrounding Oliver and the Green Arrow arises, she pushes for blackmailing an adversarial politician. She's even willing to tarnish the legacy of Felicity's dead fiancé by painting him as a corrupt cop. (Incidentally, Felicity's dead fiancé is fun to say—morbid, but fun.) 

    Oliver expresses his concern about Thea's willingness to employ such schemes, and she resigns, speculating that the bloodlust is to blame for her cutthroat tactics, which is just dumb. And this from the same character who earlier in the season stood by the relapsing Quentin Lance as she convinced him to return to rehab, gave him a high-ranking position within the mayor’s office, and was ultimately successful in shepherding him through his grief and addiction. Yeah, it’s totally plausible that the same person would do all those things.

    Felicity, meanwhile, is fighting her own implausible battle. Halfway through the season, she lost her fiancé with whom she had no chemistry, in part because he was only onscreen for, like, 15 minutes. Which is okay because he was super boring. It took her somewhere around one whole episode to recover from his death. Now, she’s suddenly joining a group of hackers (or “hacktivists”) in secret and using their limitless cache of information called Pandora’s Box with impunity. That’s pretty much her only impact on this season. Maybe they just don’t have her onscreen enough. Regardless, Felicity has become an occasionally erratic, yet sometimes salient, but mostly just ancillary character.

    To be fair, new characters are also acting erratically. Susan Williams was having nefarious meetings in dark alleys with shady contacts, digging up dirt on Oliver’s past in her fervor to uncover his secret—in short, engaging in none-too-subtle double-agent behavior. She’s clearly working with Prometheus, right? Wrong! She was just working up the courage to confront the man she actually cares about. . . evidently. Of course, Felicity and Thea get her fired by leaking alternative facts regarding her journalistic integrity. Despite her early defamatory reporting on Oliver that actually did call into question her journalistic integrity, she’s suddenly framed as a sympathetic victim, and Oliver clears her name, setting the record straight so they can continue their unconvincing romance. 

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  • 4

    Too Many Characters

    Photo: The CW

    Arrow is running into the pitfall that the MCU will have to (and will far more deftly, hopefully) avoid with Infinity War: there are just too many characters. This is partly to blame for Felicity and Thea being relegated to supporting characters. Even John’s presence is curiously lacking throughout Season 5. Honestly, it almost feels as though Rene is as much the main character as Oliver, which is awesome because he’s a ridiculous human being. With so many characters, they’re struggling to do any one person justice. There are a lot of shallow storylines. The irony is, there are virtually no more main characters in Season 5 than in past seasons, it just seems out of whack because they’re lacking balance. But we still don't know who Vigilante is. . . so it could always get worse.

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