Most '90s cartoons will inspire nostalgia in anyone who grew up watching them after school and on Saturday mornings. But one of the greatest animated shows of all time was Batman: The Animated Series, an amazing cartoon that combined the neo-noir of Tim Burton’s two forays into the bat-chise with the pulpy detective work of the comics. This series was without a doubt the best Batman on television, and likely the greatest Batman of all time. When you think back on all the revivals of Batman, and how many different Bruce Waynes audiences have had to deal with, it’s not hyperbole to state that the animated Batman series was the closest representation to the Batman of the comic books. The Batman of The Animated Series was sleek and stylized without being silly.
Was Batman: The Animated Series the best cartoon ever? It’s certainly up there in terms of production design and story. There was obvious care placed on this program that audiences hadn’t seen in an animated series before, and likely won’t see for a long time. Remember, in the early '90s cartoons were still specifically being made to sell toys. While Batman was no different, it strived to be something more than a 25 minute commercial. That’s only one of the reasons that Batman: The Animated Series was one of the greatest cartoons ever made.
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The Audience Finally Gets To Meet The Rogue's Gallery
Rather than spend almost 100 episodes bouncing Batman back and forth between the Joker and Catwoman, The Animated Series made excellent use of the Dark Knight's rogue's gallery by building long running narratives with characters like Two-Face (whose transformation from white knight of Gotham to seedy underworld boss we see in full), to introducing audiences to villains like Clayface and the Man Bat. Everyone gets at least a couple of chances to shine, and some of the villains even get their own storylines. It's also worth noting that The Animated Series is the only version of Batman that gives Poison Ivy a relatively interesting story, even if it is still based around seduction via plant life.
It's The First Tonally Nuanced Cartoon
This is a hard nut to crack for hour-long shows aimed at adults, let alone for a children's show that has less than 30 minutes to get the audience from point A to point B. This feat grows exponentially larger when you're telling a story about people dressed like bats, penguins, clowns, or Matthew Lesko. The fact that the writers of Batman: The Animated Series were able to keep the show light enough for children who were watching after school and dark enough to please older fans is a testament to their abilities with the craft of storytelling.
Audiences Were Treated To Top Tier Animation
The animation in this series is so good (save for a few episodes animated by AKOM but that's a whole other conversation) that it actually makes you wish that Batman were wearing something grey and skintight in his film appearances. Yes, Batman looks very cool fending off dozens of men dressed like mimes in the middle of Gotham City, but the guy can barely move from the neck down. In The Animated Series you actually got to see Batman move in a fight scene and it was glorious. One day, bulletproof rubber technology will catch up to stunt-fighting technology and audiences will get the live-action Bat fight that they deserve, but until then the animated series should hold them over.
Ya' Boy Mark Hamill Anchored The Series
Since the original run of Batman: The Animated series there have been many Jokers, both in live action and animation, that have come along and to put their own spin on the iconic character. Some actors made their portrayals genuinely interesting, and they tried to do something that would build on the legacy of the character, and then are guys like Jared Leto who bummed everyone (except for your cousin who still shops at Hot Topic) out.Mark Hamill is an oasis in a desert of bad voice acting, and over-the-top screeching. His Joker is playful, but absolutely menacing when he has to be. And at times there's a lower register to the Joker's voice that feels like Hamill is channeling late-period Tom Waits.