Tommy Wiseau's The Room is an enigma. It's not just a bad film - it's a film so inexplicably terrible that the realm of its awfulness doesn't even feel like it should exist on this planet. Between the out-of-sync, overdubbed dialogue, the plot lines that never resolve, and Wiseau's bizarre accent, it reads like an alien interpretation of a human love triangle. In fact, most of us wouldn't be surprised if Wiseau was an extraterrestrial in a human suit a la Men In Black. Yet, we can't help but love it - just ask the leagues of admirers that attend midnight showings and throw handfuls of plastic spoons at the screen in adoration.
The Room behind-the-scenes is exactly the brand of bizarre that you'd expect from a film so bafflingly awful that it actually elicits a positive emotional response. Many people herald it as the Citizen Kane of bad movies, and it's so widely beloved that James Franco transformed its story into the Golden Globe-winning film The Disaster Artist.
Wiseau's path to success (or failure, depending on how you look at it) is deeply inspiring. He proves that you can achieve your wildest dreams with hardly any technical ability, as long as you never give up. After 14 years, Wiseau finally received his Golden Globe in 2018 by proxy, but it still counts. Or at least it should.
The Room versus The Disaster Artist is truly an exploration of awful. The former is the worst film ever made, and the latter is heralded as the highest form of art. So where do we draw the line? What makes our idea of terrible anything other than thinly-veiled genius? The true story behind The Disaster Artist questions our rigid ideas of success and has us screaming, "You're tearing me apart, Lisa!" And maybe, one day, if we all try hard enough, we'll forget the image of Wiseau's bare, pale butt that's permanently burned into our retinas.
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