The creator of one of the most epic space adventures of all time also gets to claim credit for one of the silliest sci-fi movies ever created. There are a lot of bad '80s films, but a definite standout is George Lucas's Willow. Lucas wrote and produced this story, which centers around a heroic dwarf named Willow (Warwick Davis) who just wants to be a sorcerer, tasked with protecting a baby from the evil Queen Bavmorda (Jean Marsh) with the help of Madmartigan (Val Kilmer).
It's one of those fantasy films that couldn't find a tonal balance, but that doesn't completely cover Willow's problems. The movie tried to copy the formula established by The Lord of the Rings novels, but while Peter Jackson's adaptation became of the best in the history of cinema, Willow grew more ridiculous in hindsight.
Unlike delightfully dark and strange films like Labyrinth or Dark Crystal, Willow was not destined to become one of the most beloved fantasy movies of the '80s. It was destined to become nothing more than George Lucas's embarrassing attempt at fantasy (and to a lesser extent, Ron Howard, but he was still a young director so he gets a pass).
George Lucas and screenwriter Bob Dolman replaced the One Ring with a baby, perhaps hoping no one would recognize the paralleled plot device. It might have worked, but putting the child on the river was a mistake, as it mirrors Smeagol finding the Ring in a similar body of water.
Perhaps Lucas and Dolman deserve a little creative credit, though, as Willow finding the child eliminates the need for a Smeagol character to turn into Gollum, which would have taken up an inordinate amount of screen time.
The baby floats down the river to a village inhabited by Nelwyn. The Nelwyn are a group of dwarves, not to be confused with Tolkien's diminutive miners, the Naugrim. There, she's discovered by a farmer/conjurer named Willow (Warwick Davis). Willow takes her in and quickly falls in love with her, essentially adopting her as his own.
However, trouble follows and a Nockmaar hound attacks the village. The beast was sent by the evil queen Bavmorda (Jean Marsh), and was clearly seeking the child.
The Nockmaar hound is a clear stand in for the Nazgul, and Bavmorda resembles the dark lord, Sauron.
In response to the hound attack, the village's wizard, the High Aldwin (Billy Barty), chooses to send Willow and a few companions to return the baby to the humans. Willow is unsatisfied with his lot in life, and agrees to embark on this journey. He and his small friends leave the little farming community to start their adventure.
Aldwin mirrors both Elrond and Gandalf, while Willow adopts the Frodo archetype. The small town also bears a striking resemblance to the Shire.