With increasingly more films released each year, it's understandable that titles begin to run together for less attentive fans. Sometimes, films are lumped together because they are tonally or visually similar (such as No Country For Old Men and There Will Be Blood), but there are a few films you should never mistake for each other. After The Room was released in 2003, the film studio that distributed Room unintentionally invited everyone to play a game of "which film is which?".
Viewers are regularly presented with similarly titled features, which has led to more than a few movies you don't want to mix up (but probably will anyway). Whether the corresponding film titles share a common phrase (28 Days and 28 Days Later), premise (Friends With Benefits and No Strings Attached), or focus (The Illusionist and The Prestige) confusing two totally disparate titles inevitably leads to embarrassment. The worst movies to mix up have basically nothing in common sans the titles, and have undoubtedly produced countless horrified, confused viewers.
It's hard to think of two films more disparate than 28 Days and 28 Days Later. The feel-good rehab story 28 Days (2000) stars Sandra Bollock as an American newspaper columnist who is court-ordered to spend four weeks in a drug and alcohol rehabilitation program. The popular zombie horror film 28 Days Later (2002) focuses on four survivors of a highly contagious virus that has ravaged the United Kingdom. While both films are full of hard choices and drama, the stakes are unarguably higher in the more recent film.
With nearly identical titles, Deep Blue Sea (1999) and The Deep Blue Sea (2011) are super easy to confuse. However, the similarities between the two flicks stops with their names. The American sci-fi/horror film Deep Blue Sea follows a group of scientists who fall prey to the sharks they're researching. Terence Davies’s more popular British romantic-drama The Deep Blue Sea is an adaptation of Terence Rattigan’s 1952 play of the same name, and is about an affair between the wife of a judge and a former Royal Air Force pilot.
With the 2017 release of James Franco’s parody film, The Disaster Artist, the cultural relevance of Tommy Wiseau’s The Room (2003) reemerged. The cult hit was written, directed, and produced by Wiseau, who also stars in the film, and follows the love triangle created when Wiseau's character's wife tries to seduce his best friend. The work is frequently labeled "the worst movie ever made," and is pretty much only ever viewed ironically.
Although the titles are almost identical, Room (2015) managed to collect an Oscar, a Golden Globe, and many other awards. Based on Emma Donoghue’s internationally best-selling novel, the film stars Brie Larson, and details the story of a mother who raises a child while being held captive in a small outbuilding.
The differences between these taxi-named films are substantial. Martin Scorsese’s neo-noir psychological thriller Taxi Driver (1976) stars powerhouse Robert De Niro, introduces a young Jodie Foster, and was nominated for four Oscars. The 2004 film Taxi is an action/comedy that stars Queen Latifah, Jimmy Fallon, and Gisele Bündchen. While there are still plenty of guns, only one of these taxi rides ends in a total bloodbath.